Paul Lalonde

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Executive Producer:
1994  Left Behind
1995  Final Warning
1995  Startling Proofs
1996  Racing Toward... the Mark of the Beast
1998  Last Days: Hype or Hope?
2000  Left Behind: The Movie
2001  Judgment
2010  The 12 Biggest Lies

Producer:
1994  Left Behind
1995  Final Warning
1995  Startling Proofs
1996  Racing Toward... the Mark of the Beast
1998  Apocalypse: Caught in the Eye of the Storm
1998  Last Days: Hype or Hope?
1999  Revelation
2000  Left Behind: The Movie
2000  Tribulation
2001  Judgment
2010  The 12 Biggest Lies
2014  Left Behind
2019  Rabid
2023  Left Behind: Rise of the Antichrist

Screenplay:
1994  Left Behind
1995  Final Warning
1995  Startling Proofs
1996  Racing Toward... the Mark of the Beast
1998  Apocalypse: Caught in the Eye of the Storm
1998  Last Days: Hype or Hope?
1999  Revelation
2000  Left Behind: The Movie
2000  Tribulation
2001  Judgment
2002  Left Behind II: Tribulation Force
2010  The 12 Biggest Lies
2014  Left Behind
2019  Rabid
2023  Left Behind: Rise of the Antichrist

Writer:
1994  Left Behind
1995  Final Warning
1995  Startling Proofs
1996  Racing Toward... the Mark of the Beast
1997  The Mark of the Beast
1998  Apocalypse: Caught in the Eye of the Storm
1998  Last Days: Hype or Hope?
1999  Revelation
2000  Left Behind: The Movie
2000  Tribulation
2001  Judgment
2002  Deceived
2002  Left Behind II: Tribulation Force
2005  Left Behind: World at War
2010  The 12 Biggest Lies
2014  Left Behind
2019  Rabid
2023  Left Behind: Rise of the Antichrist

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.