Michel La Veaux (b. 1955)

Gallery Unavailable

Birthplace:
Montréal, Québec, Canada

Born:
January 21, 1955

Additional information:

The Search Form


Additional Photography:
2008  Madwoman of God

Cinematography:
2003  Is the Crown at war with us?
2003  Our Nationhood
2004  Marianne's Theatre
2008  Madwoman of God
2015  Hôtel La Louisiane

Director:
2003  Is the Crown at war with us?
2003  Our Nationhood
2004  Marianne's Theatre
2008  Madwoman of God
2015  Hôtel La Louisiane
2017  Labrecque, une caméra pour la mémoire

Director of Photography:
2000  In the Shadow of Hollywood
2003  Is the Crown at war with us?
2003  Our Nationhood
2003  The Hasty Man Drinks His Tea with a Fork
2004  Marianne's Theatre
2004  Tales of Sand and Snow
2005  La classe de Madame Lise
2006  Barbiers : Une histoire d'hommes
2008  Le déserteur
2008  Madwoman of God
2009  Snow Hides the Shade of Fig Trees
2013  The Auction
2015  Hôtel La Louisiane
2015  My Enemies
2016  Iqaluit
2017  Labrecque, une caméra pour la mémoire
2018  The Fireflies Are Gone
2021  Maria Chapdelaine
2021  Saint-Narcisse

Still Photographer:
2000  In the Shadow of Hollywood
2003  Is the Crown at war with us?
2003  Our Nationhood
2003  The Hasty Man Drinks His Tea with a Fork
2004  Marianne's Theatre
2004  Tales of Sand and Snow
2005  La classe de Madame Lise
2006  Barbiers : Une histoire d'hommes
2008  Le déserteur
2008  Madwoman of God
2009  Snow Hides the Shade of Fig Trees
2013  The Auction
2015  Hôtel La Louisiane
2015  My Enemies
2016  Iqaluit
2017  Labrecque, une caméra pour la mémoire
2018  The Fireflies Are Gone
2021  Maria Chapdelaine
2021  Saint-Narcisse

Writer:
2000  In the Shadow of Hollywood
2003  Is the Crown at war with us?
2003  Our Nationhood
2003  The Hasty Man Drinks His Tea with a Fork
2004  Marianne's Theatre
2004  Tales of Sand and Snow
2005  La classe de Madame Lise
2006  Barbiers : Une histoire d'hommes
2008  Le déserteur
2008  Madwoman of God
2009  Snow Hides the Shade of Fig Trees
2013  The Auction
2015  Hôtel La Louisiane
2015  My Enemies
2016  Iqaluit
2017  Labrecque, une caméra pour la mémoire
2018  The Fireflies Are Gone
2021  Maria Chapdelaine
2021  Saint-Narcisse

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.