A work in constant progress (and occasional regress).
Birthplace:
Boston, Massachusetts, USA
Sara Mishara is an American-Canadian cinematographer, born in Boston, Massachusetts. She studied film at Concordia University and the Prague Film School. She is a four-time Prix Jutra nominee for Best Cinematography. She won the Canadian Screen Award for Best Cinematography at the 7th Canadian Screen Awards, for her work on the film The Great Darkened Days (La grande noirceur).
Cinematography:
2003 Hardcore Action News
2007 Continental, a Film Without Guns
2008 Cirque du Soleil: LoveSick
2008 Demain
2011 Familiar Grounds
2015 Felix and Meira
2018 Allure
2022 Viking
2025 Two Women
???? Gagne ton ciel
Director of Photography:
2003 Hardcore Action News
2005 Le rouge au sol
2006 Les jours
2007 Continental, a Film Without Guns
2008 Cirque du Soleil: LoveSick
2008 Demain
2008 Everything Is Fine
2008 Sunday Afternoon
2011 Familiar Grounds
2011 Jo pour Jonathan
2011 Romeo Eleven
2012 All That You Possess
2013 La tĂȘte en bas
2014 You're Sleeping, Nicole
2015 Felix and Meira
2018 Allure
2018 Boundaries
2019 The Great Darkened Days
2020 My Salinger Year
2021 Drunken Birds
2022 Norbourg
2022 Viking
2025 The Players
2025 Two Women
???? Gagne ton ciel
???? In Cold Light
Screenplay:
2003 Hardcore Action News
2005 Le rouge au sol
2006 Les jours
2007 Continental, a Film Without Guns
2008 Cirque du Soleil: LoveSick
2008 Demain
2008 Everything Is Fine
2008 Sunday Afternoon
2011 Familiar Grounds
2011 Jo pour Jonathan
2011 Romeo Eleven
2012 All That You Possess
2013 La tĂȘte en bas
2014 You're Sleeping, Nicole
2015 Felix and Meira
2018 Allure
2018 Boundaries
2019 The Great Darkened Days
2020 My Salinger Year
2021 Drunken Birds
2022 Norbourg
2022 Viking
2025 The Players
2025 Two Women
???? Gagne ton ciel
???? In Cold Light
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.