A work in constant progress (and occasional regress).
Assistant Editor:
2012 Casting By
Cinematography:
2012 Casting By
2017 A Favor for Jerry
Director:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2017 A Favor for Jerry
2018 Too Cold to Swim
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Director of Photography:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2017 A Favor for Jerry
2018 Too Cold to Swim
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Editor:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2014 Hollywood Propaganda and World War II
2015 Babe Ruth Footage
2016 Andrew Cohen on Crisis and Its Outtakes
2016 Sharon Malone and Eric Holder
2017 A Favor for Jerry
2017 In Search of Tracy Lord
2018 Homay King on 'Shanghai Express'
2018 Too Cold to Swim
2018 Weimar on the Pacific
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Post Production Supervisor:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2014 Hollywood Propaganda and World War II
2015 Babe Ruth Footage
2016 Andrew Cohen on Crisis and Its Outtakes
2016 Sharon Malone and Eric Holder
2017 A Favor for Jerry
2017 In Search of Tracy Lord
2018 Homay King on 'Shanghai Express'
2018 Too Cold to Swim
2018 Weimar on the Pacific
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Producer:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2014 Hollywood Propaganda and World War II
2015 Babe Ruth Footage
2016 Andrew Cohen on Crisis and Its Outtakes
2016 Sharon Malone and Eric Holder
2017 A Favor for Jerry
2017 In Search of Tracy Lord
2018 Homay King on 'Shanghai Express'
2018 Too Cold to Swim
2018 Weimar on the Pacific
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Screenplay:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2014 Hollywood Propaganda and World War II
2015 Babe Ruth Footage
2016 Andrew Cohen on Crisis and Its Outtakes
2016 Sharon Malone and Eric Holder
2017 A Favor for Jerry
2017 In Search of Tracy Lord
2018 Homay King on 'Shanghai Express'
2018 Too Cold to Swim
2018 Weimar on the Pacific
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Writer:
2008 A Hole in a Fence
2011 Not Interested
2012 Casting By
2013 Sweating In The Night
2013 The Happy House
2014 Hollywood Propaganda and World War II
2015 Babe Ruth Footage
2016 Andrew Cohen on Crisis and Its Outtakes
2016 Sharon Malone and Eric Holder
2017 A Favor for Jerry
2017 In Search of Tracy Lord
2018 Homay King on 'Shanghai Express'
2018 Too Cold to Swim
2018 Weimar on the Pacific
2020 The Booksellers
2023 Dancing on the Silk Razor
2024 Uncropped
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.