A work in constant progress (and occasional regress).
Director:
1930 Accidents Will Happen
1930 Belle of the Night
1930 Getting a Ticket
1930 Her Future
1930 Insurance
1930 Office Blues
1930 Red, Green and Yellow
1930 The Introduction of Mrs. Gibbs
1931 A Broadway Romeo
1931 Devil Sea
1931 Morals for Women
1931 The African Dodger
Editor:
1929 The Hole in the Wall
1930 Accidents Will Happen
1930 Belle of the Night
1930 Getting a Ticket
1930 Her Future
1930 Insurance
1930 Office Blues
1930 Red, Green and Yellow
1930 The Introduction of Mrs. Gibbs
1931 A Broadway Romeo
1931 Devil Sea
1931 Morals for Women
1931 The African Dodger
Scenario Writer:
1928 Honeymoon Flats
1929 The Hole in the Wall
1930 Accidents Will Happen
1930 Belle of the Night
1930 Getting a Ticket
1930 Her Future
1930 Insurance
1930 Office Blues
1930 Red, Green and Yellow
1930 The Introduction of Mrs. Gibbs
1931 A Broadway Romeo
1931 Devil Sea
1931 Morals for Women
1931 The African Dodger
Title Designer:
1928 Driftwood
1928 Honeymoon Flats
1929 The Hole in the Wall
1930 Accidents Will Happen
1930 Belle of the Night
1930 Getting a Ticket
1930 Her Future
1930 Insurance
1930 Office Blues
1930 Red, Green and Yellow
1930 The Introduction of Mrs. Gibbs
1931 A Broadway Romeo
1931 Devil Sea
1931 Morals for Women
1931 The African Dodger
Writer:
1927 Rose of the Golden West
1928 Court Martial
1928 Driftwood
1928 Home, James
1928 Honeymoon Flats
1928 Stool Pigeon
1929 The Hole in the Wall
1930 Accidents Will Happen
1930 Belle of the Night
1930 Getting a Ticket
1930 Her Future
1930 Insurance
1930 Office Blues
1930 Red, Green and Yellow
1930 The Introduction of Mrs. Gibbs
1931 A Broadway Romeo
1931 Devil Sea
1931 Morals for Women
1931 The African Dodger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.