A work in constant progress (and occasional regress).
Director:
1991 Valentino! I love you
Editor:
1991 Valentino! I love you
1998 Passion interdite
1999 Bouzouki blues
2003 The Overeater
2004 Les amants du bagne
2007 Agathe contre Agathe
2011 A Bottle in the Gaza Sea
2011 Le piège afghan
2011 Louis XVI, l'homme qui ne voulait pas être roi
2011 Voir le pays du matin calme
2012 Murdered
2012 Operación E
2013 Jusqu'au bout du monde
2014 Belinda and Me
2015 Goodbye and See You Soon
2018 Murder in Le Havre
2019 Murder In the Vercors
2019 Rain, Rain, Run Away
2020 Hortense
2021 En attendant un miracle
2023 The Channel
Story:
1991 Valentino! I love you
1998 Passion interdite
1999 Bouzouki blues
2003 The Overeater
2004 Les amants du bagne
2007 Agathe contre Agathe
2011 A Bottle in the Gaza Sea
2011 Le piège afghan
2011 Louis XVI, l'homme qui ne voulait pas être roi
2011 Voir le pays du matin calme
2012 Murdered
2012 Operación E
2013 Jusqu'au bout du monde
2014 Belinda and Me
2015 Goodbye and See You Soon
2018 Mia and the White Lion
2018 Murder in Le Havre
2019 Murder In the Vercors
2019 Rain, Rain, Run Away
2020 Hortense
2021 En attendant un miracle
2023 The Channel
Writer:
1991 Valentino! I love you
1998 Passion interdite
1999 Bouzouki blues
2003 The Overeater
2004 Les amants du bagne
2007 Agathe contre Agathe
2011 A Bottle in the Gaza Sea
2011 Le piège afghan
2011 Louis XVI, l'homme qui ne voulait pas être roi
2011 Voir le pays du matin calme
2012 Murdered
2012 Operación E
2013 Jusqu'au bout du monde
2014 Belinda and Me
2015 Goodbye and See You Soon
2018 Mia and the White Lion
2018 Murder in Le Havre
2019 Murder In the Vercors
2019 Rain, Rain, Run Away
2020 Hortense
2021 En attendant un miracle
2023 The Channel
Editor:
2000 The Blue Bicycle
2014 Disparus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.