A work in constant progress (and occasional regress).
Birthplace:
Kuwait
Born:
December 6, 1939
Died:
August 11, 2017
Abdulhussain Abdulredha (15 July 1939 – 11 August 2017) was a Kuwaiti actor, playwright, and comedian, considered one of the most influential figures in Gulf and Arab entertainment. Born in Kuwait City, he played a key role in shaping modern Kuwaiti theater and television, with a career spanning over five decades. Known for his sharp humor and satirical approach, Abdulredha’s work often addressed social and political themes relevant to Kuwaiti and Gulf society. His 1981 play Bye Bye London is among his most well-known works, offering a comedic take on the cultural experiences of Gulf Arabs abroad. In addition to his theater productions, Abdulredha appeared in several television series and films, gaining widespread popularity across the Arab world. His contributions earned him numerous honors and helped establish a foundation for contemporary performing arts in the region. He passed away in London in 2017. His legacy remains deeply rooted in Arab pop culture, with his performances continuing to inspire and entertain new generations.
Co-Writer:
1979 Besat Al Fagr
Writer:
1965 Seize the Day
1967 Who doesn’t obey will be lost
1969 Early Bird Gets the Worm
1975 Samet Sons
1976 The Victim Of The House Of The Pride
1977 Not To Hamman, Pharaoh
1979 Besat Al Fagr
1979 The Bachelor Of Al Salmiya
1982 Bye Bye London
1983 Al-Manakh Knights
1984 The Joy Of A Nation
1992 The Sword Of The Arabs
1993 Means Well
2021 The Bachelor of Salmiya
Writers' Assistant:
1965 Seize the Day
1967 Who doesn’t obey will be lost
1969 Early Bird Gets the Worm
1973 30 Days of Love
1975 Samet Sons
1976 The Victim Of The House Of The Pride
1977 Not To Hamman, Pharaoh
1979 Besat Al Fagr
1979 The Bachelor Of Al Salmiya
1982 Bye Bye London
1983 Al-Manakh Knights
1984 The Joy Of A Nation
1992 The Sword Of The Arabs
1993 Means Well
2021 The Bachelor of Salmiya
Writers' Production:
1965 Seize the Day
1967 Who doesn’t obey will be lost
1969 Early Bird Gets the Worm
1971 Husband Needed Immediately
1973 30 Days of Love
1975 Samet Sons
1976 The Victim Of The House Of The Pride
1977 Not To Hamman, Pharaoh
1979 Besat Al Fagr
1979 The Bachelor Of Al Salmiya
1982 Bye Bye London
1983 Al-Manakh Knights
1984 The Joy Of A Nation
1986 Bye Bye Arab
1992 The Sword Of The Arabs
1993 Means Well
2021 The Bachelor of Salmiya
Creator:
1964 Bu Olaiwy Diaries
1969 Bu miryan's Family
1970 Ajlah Wa Amlah
1972 Sherbaka
1978 Fate
1980 The Bullies
1981 Private Lesson
2000 Al-Mqasis Market
???? Aglah Wa Amlah
???? AlAkdaar
???? Habl ElMawada
???? Kased Kheir
???? Sherbaka
Story:
1964 Bu Olaiwy Diaries
1969 Bu miryan's Family
1970 Ajlah Wa Amlah
1972 Sherbaka
1978 Fate
1980 The Bullies
1981 Private Lesson
1993 Means Well
2000 Al-Mqasis Market
???? Aglah Wa Amlah
???? AlAkdaar
???? Habl ElMawada
???? Kased Kheir
???? Sherbaka
Writer:
1964 Bu Olaiwy Diaries
1969 Bu miryan's Family
1970 Ajlah Wa Amlah
1972 Sherbaka
1978 Fate
1980 The Bullies
1981 Private Lesson
1993 Means Well
2000 Al-Mqasis Market
???? Aglah Wa Amlah
???? AlAkdaar
???? Habl ElMawada
???? Kased Kheir
???? Sherbaka
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.