Rui Poças (b. 1966)

Birthplace:
Porto, Portugal

Born:
December 4, 1966

Additional information:

The Search Form


Associate Producer:
2023  Tinnitus

Camera Operator:
1994  Eléctricos
2023  Tinnitus

Cinematography:
1994  Eléctricos
2022  Will-o’-the-Wisp
2023  Tinnitus
2024  Bury Your Dead

Director of Photography:
1989  Nunca Mais de Livras de Mim
1994  Eléctricos
1995  A. Palolo: Ver o Pensamento a Correr
1999  Joaquim Bravo, Évora 1935, Etc. Etc. Felicidades
1999  Meanwhile
2000  Another Country
2000  Boris and Jeremiah
2000  Christmas Inventory
2000  Entraste no jogo, tens que jogar assim na terra como no céu
2000  O Fantasma
2001  Close
2003  A Morte do Cinema
2003  O Rapaz do Trapézio Voador
2003  Rádio Relâmpago
2004  Alexandre O’Neill - Tomai lá do O’Neill
2004  Andre Valente
2004  Conversas com Glícínia
2004  Maria e as Outras
2005  Adriana
2005  The Face You Deserve
2005  Two Drifters
2006  Canticle of All Creatures
2007  Carlos de Oliveira: Upon the Left Side
2007  China, China
2008  Fernando Lopes, Provavelmente
2008  From Now On
2008  O Tapete Voador
2008  Our Beloved Month of August
2008  Álvaro Lapa: A Literatura
2009  To Die Like a Man
2009  Two Women
2010  Tony
2012  A Vossa Casa
2012  As the Flames Rose
2012  Morning of Saint Anthony's Day
2012  Tabu
2014  The Bridges of Sarajevo
2016  Campo de Víboras
2016  Deserto
2016  The Ornithologist
2017  Al Berto
2017  Good Manners
2017  My Only Earth Is in the Moon
2017  Sandra Calling
2017  Severina
2017  Zama
2018  Hilda Hilst Pede Contato
2018  Introduzione all'oscuro
2018  Rust
2019  Frankie
2020  If I Were the Winter Itself
2022  A Little Love Package
2022  Alma Viva
2022  The Club of Angels
2022  Where Is This Street? or With No Before or After
2022  Will-o’-the-Wisp
2023  Amadeo
2023  Lovely, Dark, and Deep
2023  Tinnitus
2024  Bury Your Dead
2024  Grand Tour
????  Ciudad sin sueño

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.