A work in constant progress (and occasional regress).
Dialogue Editor:
2017 Losing Our Religion
Editor:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2017 Losing Our Religion
Editorial Staff:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2017 Losing Our Religion
Music:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2017 Losing Our Religion
Online Editor:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Post Production Supervisor:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Sound:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Sound Designer:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Sound Editor:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Sound Mix Technician:
1997 Guy Maddin: Waiting for Twilight
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2016 this river
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Sound Mixer:
1997 Guy Maddin: Waiting for Twilight
2002 Dracula: Pages from a Virgin's Diary
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Grizzly Rage
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2016 this river
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 A Change of Scenery
2019 Freedom Road: Women / Ikwewag
2020 Thursday
2023 Modern Goose
Sound Re-Recording Mixer:
1997 Guy Maddin: Waiting for Twilight
2002 Dracula: Pages from a Virgin's Diary
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Eye of the Beast
2007 Grizzly Rage
2007 Hybrid
2007 Maneater
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2016 this river
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 A Change of Scenery
2019 Freedom Road: Women / Ikwewag
2020 Stories Are in Our Bones
2020 Thursday
2023 Modern Goose
Sound Recordist:
1997 Guy Maddin: Waiting for Twilight
2002 Dracula: Pages from a Virgin's Diary
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Eye of the Beast
2007 Grizzly Rage
2007 Hybrid
2007 Maneater
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2016 this river
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 A Change of Scenery
2019 Freedom Road: Women / Ikwewag
2020 Stories Are in Our Bones
2020 Thursday
2023 Modern Goose
Sound Supervisor:
1997 Guy Maddin: Waiting for Twilight
2002 Dracula: Pages from a Virgin's Diary
2003 Leeches!
2003 The Brotherhood III: Young Demons
2007 Eye of the Beast
2007 Grizzly Rage
2007 Hybrid
2007 Maneater
2013 Euphoria
2014 Graffiti Stories: From Dark Alleys to Bright Futures
2014 Home Cooked Music
2016 this river
2017 Losing Our Religion
2018 HeimÞrá: In Thrall to Home
2018 Love, of Course
2019 A Change of Scenery
2019 Freedom Road: Women / Ikwewag
2020 Stories Are in Our Bones
2020 Thursday
2023 Modern Goose
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.