Kristine Kintana

Gallery Unavailable

Alias:
Kints Kintana
Kristine Kinatana

Additional information:

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Assistant Director:
2021  Orphea

Assistant Production Manager:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2021  Orphea

Associate Producer:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2021  Orphea

Casting Coordinator:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2021  Drive My Car
2021  Orphea

Cinematography:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013  The Search for Weng Weng
2021  Drive My Car
2021  Orphea

Costume Design:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013  The Search for Weng Weng
2021  Drive My Car
2021  Orphea

Line Producer:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013  Norte, The End of History
2013  The Search for Weng Weng
2015  The Last Pinoy Action King
2017  Respect
2021  Drive My Car
2021  Orphea

Producer:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011  Illogical Patterns of a Logical Parallelism
2012  An Investigation on the Night That Won't Forget
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013  Norte, The End of History
2013  The Search for Weng Weng
2015  The Last Pinoy Action King
2017  Respect
2021  Drive My Car
2021  Orphea

Production Design:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011  Illogical Patterns of a Logical Parallelism
2012  An Investigation on the Night That Won't Forget
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013  Norte, The End of History
2013  The Search for Weng Weng
2015  The Last Pinoy Action King
2017  Respect
2018  Bamboo Dogs
2021  Drive My Car
2021  Orphea

Production Manager:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011  Illogical Patterns of a Logical Parallelism
2012  An Investigation on the Night That Won't Forget
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2012  Florentina Hubaldo, CTE
2013  Norte, The End of History
2013  The Search for Weng Weng
2015  The Last Pinoy Action King
2016  A Lullaby to the Sorrowful Mystery
2016  The Woman Who Left
2017  Respect
2018  Bamboo Dogs
2021  Drive My Car
2021  Orphea

Sound:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011  Illogical Patterns of a Logical Parallelism
2012  An Investigation on the Night That Won't Forget
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2012  Florentina Hubaldo, CTE
2013  Norte, The End of History
2013  The Search for Weng Weng
2015  The Last Pinoy Action King
2016  A Lullaby to the Sorrowful Mystery
2016  The Woman Who Left
2017  Respect
2018  Bamboo Dogs
2021  Drive My Car
2021  Orphea

Translator:
2010  Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011  Illogical Patterns of a Logical Parallelism
2012  An Investigation on the Night That Won't Forget
2012  EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2012  Florentina Hubaldo, CTE
2013  Norte, The End of History
2013  The Search for Weng Weng
2015  The Last Pinoy Action King
2016  A Lullaby to the Sorrowful Mystery
2016  The Woman Who Left
2017  Respect
2018  Bamboo Dogs
2021  Drive My Car
2021  Orphea

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.