A work in constant progress (and occasional regress).
Birthplace:
Porto Alegre, Rio Grande do Sul, Brazil
Born:
August 15, 1965
Flávia Castro (15 of August of 1965, Porto Alegre) is a Brazilian filmmaker. At the age of five, she had to leave the country with his parents, exiled by the military regime. She lived in Chile, Argentina, Belgium and France, returning to Brazil in 1979 with Amnesty. Still in France worked as scriptwriter and assistant of direction. She made his directorial debut with the short film Each with His Every Qual (2006). Her first feature, Diário de una Busca, received the award for best documentary at the 2010 Rio Festival. She also directed one of the episodes of A Aula Vazia, a project coordinated by Gael García Bernal. Her fictional debut 'Deslembro' premiered at Venice Film Festival.
Co-Writer:
2021 Jaguar Man
Costume Design:
1990 The Fifth Monkey
2021 Jaguar Man
Director:
1990 The Fifth Monkey
2006 Cada Um Com Seu Cada Qual
2011 Diário de Uma Busca
2015 The Empty Classroom
2019 Unremember
2021 Jaguar Man
Editor:
1990 The Fifth Monkey
2006 Cada Um Com Seu Cada Qual
2011 Diário de Uma Busca
2015 The Empty Classroom
2019 Unremember
2021 Jaguar Man
Producer:
1990 The Fifth Monkey
2006 Cada Um Com Seu Cada Qual
2011 Diário de Uma Busca
2015 The Empty Classroom
2019 Unremember
2021 Jaguar Man
Screenplay:
1990 The Fifth Monkey
2006 Cada Um Com Seu Cada Qual
2011 Diário de Uma Busca
2015 The Empty Classroom
2016 Nise: The Heart of Madness
2019 Unremember
2021 Jaguar Man
Writer:
1990 The Fifth Monkey
2006 Cada Um Com Seu Cada Qual
2011 Diário de Uma Busca
2015 The Empty Classroom
2016 Images of the Estado Novo 1937-45
2016 Nise: The Heart of Madness
2019 Unremember
2021 Jaguar Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.