A work in constant progress (and occasional regress).
Birthplace:
San Francisco
Born:
March 25, 1967
Matthew Barney was born in San Francisco in 1967; at age six, he moved to Idaho with his family. After his parents divorced, Barney continued to live with his father in Idaho, playing football on his high school team, and visiting his mother in New York City, where he was introduced to art and museums. This intermingling of sports and art informs his work as a sculptor and filmmaker. After graduating from Yale in 1991, Barney entered the art world to almost instant controversy and success.
Director:
1988 DRAWING RESTRAINT 2
1988 Scabaction
1991 Blind Perineum
1991 Delay of Game
1991 Mile High Threshold: Flight with the Anal Sadistic Warrior
1991 Radial Drill
1995 Cremaster 4
1996 Cremaster 1
1997 Cremaster 5
1997 Drawing Restraint 7
1999 Cremaster 2
2002 Cremaster 3
2006 Destricted
2006 Drawing Restraint 9
2006 Hoist
2006 Instrument of Surrender
2009 Blood of Two
2010 Drawing Restraint 17
2014 River of Fundament
2015 Drawing Restraint 23
2019 Redoubt
2022 Catasterism
2023 Secondary
2024 DRAWING RESTRAINT 26
2024 DRAWING RESTRAINT 28
Editor:
1988 DRAWING RESTRAINT 2
1988 Scabaction
1991 Blind Perineum
1991 Delay of Game
1991 Mile High Threshold: Flight with the Anal Sadistic Warrior
1991 Radial Drill
1995 Cremaster 4
1996 Cremaster 1
1997 Cremaster 5
1997 Drawing Restraint 7
1999 Cremaster 2
2002 Cremaster 3
2006 Destricted
2006 Drawing Restraint 9
2006 Hoist
2006 Instrument of Surrender
2009 Blood of Two
2010 Drawing Restraint 17
2014 River of Fundament
2015 Drawing Restraint 23
2019 Redoubt
2022 Catasterism
2023 Secondary
2024 DRAWING RESTRAINT 26
2024 DRAWING RESTRAINT 28
Producer:
1988 DRAWING RESTRAINT 2
1988 Scabaction
1991 Blind Perineum
1991 Delay of Game
1991 Mile High Threshold: Flight with the Anal Sadistic Warrior
1991 Radial Drill
1995 Cremaster 4
1996 Cremaster 1
1997 Cremaster 5
1997 Drawing Restraint 7
1999 Cremaster 2
2002 Cremaster 3
2006 Destricted
2006 Drawing Restraint 9
2006 Hoist
2006 Instrument of Surrender
2009 Blood of Two
2010 Drawing Restraint 17
2014 River of Fundament
2015 Drawing Restraint 23
2019 Redoubt
2022 Catasterism
2023 Secondary
2024 DRAWING RESTRAINT 26
2024 DRAWING RESTRAINT 28
Thanks:
1988 DRAWING RESTRAINT 2
1988 Scabaction
1991 Blind Perineum
1991 Delay of Game
1991 Mile High Threshold: Flight with the Anal Sadistic Warrior
1991 Radial Drill
1995 Cremaster 4
1996 Cremaster 1
1997 Cremaster 5
1997 Drawing Restraint 7
1999 Cremaster 2
2002 Cremaster 3
2004 Skinned Deep
2006 Destricted
2006 Drawing Restraint 9
2006 Hoist
2006 Instrument of Surrender
2009 Blood of Two
2010 Drawing Restraint 17
2014 River of Fundament
2015 Drawing Restraint 23
2019 Redoubt
2022 Catasterism
2023 Secondary
2024 DRAWING RESTRAINT 26
2024 DRAWING RESTRAINT 28
Writer:
1988 DRAWING RESTRAINT 2
1988 Scabaction
1991 Blind Perineum
1991 Delay of Game
1991 Mile High Threshold: Flight with the Anal Sadistic Warrior
1991 Radial Drill
1995 Cremaster 4
1996 Cremaster 1
1997 Cremaster 5
1997 Drawing Restraint 7
1999 Cremaster 2
2002 Cremaster 3
2004 Skinned Deep
2006 Destricted
2006 Drawing Restraint 9
2006 Hoist
2006 Instrument of Surrender
2009 Blood of Two
2010 Drawing Restraint 17
2014 River of Fundament
2015 Drawing Restraint 23
2017 Union of the North
2019 Redoubt
2022 Catasterism
2023 Secondary
2024 DRAWING RESTRAINT 26
2024 DRAWING RESTRAINT 28
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.