Thierry Garrel

Additional information:

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Assistant Director:
1965  Right of Access

Co-Producer:
1965  Right of Access
2003  Fellini: I'm a Born Liar

Director:
1965  Right of Access
2003  Fellini: I'm a Born Liar
2014  Lost in Bosnia

Executive Producer:
1965  Right of Access
1994  By the Lake
2001  Cinéma, de notre temps: Danièle Huillet, Jean-Marie Straub - cinéastes
2003  Fellini: I'm a Born Liar
2014  Lost in Bosnia

Producer:
1965  Right of Access
1994  By the Lake
1994  Ernesto Che Guevara, the Bolivian Diary
1995  Men of the Port
2001  Cinéma, de notre temps: Danièle Huillet, Jean-Marie Straub - cinéastes
2003  Fellini: I'm a Born Liar
2003  Where Does Your Hidden Smile Lie?
2014  Lost in Bosnia
2014  Of Men and War

Production Office Assistant:
1965  Right of Access
1994  By the Lake
1994  Ernesto Che Guevara, the Bolivian Diary
1995  Men of the Port
1998  Massoud the Afghan
2001  Cinéma, de notre temps: Danièle Huillet, Jean-Marie Straub - cinéastes
2003  Fellini: I'm a Born Liar
2003  Where Does Your Hidden Smile Lie?
2014  Lost in Bosnia
2014  Of Men and War

Thanks:
1965  Right of Access
1993  Winter Journey
1994  By the Lake
1994  Ernesto Che Guevara, the Bolivian Diary
1995  Men of the Port
1998  Massoud the Afghan
2001  Cinéma, de notre temps: Danièle Huillet, Jean-Marie Straub - cinéastes
2003  Fellini: I'm a Born Liar
2003  Where Does Your Hidden Smile Lie?
2014  Lost in Bosnia
2014  Of Men and War

Writer:
1965  Right of Access
1993  Winter Journey
1994  By the Lake
1994  Ernesto Che Guevara, the Bolivian Diary
1995  Men of the Port
1998  Massoud the Afghan
2001  Cinéma, de notre temps: Danièle Huillet, Jean-Marie Straub - cinéastes
2003  Fellini: I'm a Born Liar
2003  Where Does Your Hidden Smile Lie?
2014  Lost in Bosnia
2014  Of Men and War

Creator:
1982  Juste une image

Producer:
1982  Juste une image
1989  The Owl's Legacy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.