A work in constant progress (and occasional regress).
Birthplace:
Southport, Lancashire, England, UK
Born:
January 12, 1941
Died:
May 18, 2022
Anne Elizabeth Howells (12 January 1941 – 18 May 2022) was a British operatic mezzo-soprano. Howells was born in Southport, Lancashire, on 12 January 1941, the daughter of Trevor Howells and Mona Howells (née Hewart). She was educated at Sale Grammar School, where her teachers included Alfred Higson. She further studied music at the Royal Manchester College of Music (now the Royal Northern College of Music), where her teachers included Frederic Cox. Howells continued singing studies with Vera Rózsa. Howells sang in productions at Glyndebourne, the Royal Opera House, and with the Metropolitan Opera in New York, the Lyric Opera of Chicago, the opera houses of both San Francisco and Los Angeles, the four Parisian opera houses, the Grand Théâtre de Genève, the Salzburger Festspiele, the Vienna Staatsoper, the Carnegie Hall, and the Musikverein of Vienna. She sang in the premieres of Rolf Liebermann's Forêt (as Régine), Nicholas Maw's The Rising of the Moon (as Cathleen) and of Richard Rodney Bennett's Victory (as Lena). Following her retirement from public performance, Howells taught at the Royal Academy of Music. Howells was married three times. Her first marriage to Ryland Davies was from 1966 to 1981. Her second marriage was to Stafford Dean, from 1981 to 1988, and produced a son, Matthew, and a daughter, Laura. Both marriages ended in divorce. Her third marriage was to Peter Fyson, which lasted until his death in 2005. Howells died from myeloma in Andover, Hampshire on 18 May 2022, at the age of 81. Her children survive her. Source: Article "Anne Howells" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.