A work in constant progress (and occasional regress).
Alias:
Bumcello
Birthplace:
Reims, Marne, France
Born:
April 27, 1967
Vincent Ségal (born 1967 in Reims, France) is a French cellist and bassist. He studied at the National Music Academy of Lyon and the Banff Centre for the Arts in Canada. He is mainly known for the variety of his collaborations and unusual projects. He has worked with Steve Nieve, Elvis Costello, Cesaria Evora, Blackalicious, Carlinhos Brown, the French reggae band Tryo, Franck Monnet, the experimental project Mujeres Encinta, Georges Moustaki or with Alexandre Desplat in the O.S.T. of Lust, Caution and other of his films. In 1986 he and Cyril Atef and formed the band Bumcello, a downtempo electronica duo that won the Victoires de la Musique award and was named Electronic artist of the year 2006. He played on every Matthieu Chedid (-M-) album. In 2009 he worked with Sting on his album If on a Winter's Night.... In October of the same year he recorded, in the studio of Salif Keïta in Mali, the album Chamber Music with Ballaké Sissoko. Source: Article "Vincent Ségal" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music:
2006 Deux jours avec mon père
Music Arranger:
2006 Deux jours avec mon père
2011 A Monster in Paris
Original Music Composer:
2000 The Ceiling
2001 I am Josh Polonski's Brother
2006 Deux jours avec mon père
2011 A Monster in Paris
2011 See How They Dance
Sound:
2000 The Ceiling
2001 I am Josh Polonski's Brother
2006 Deux jours avec mon père
2011 A Monster in Paris
2011 See How They Dance
2017 Wallay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.