A work in constant progress (and occasional regress).
Birthplace:
San Francisco, California, USA
Born:
September 16, 1903
Died:
March 17, 1985
From Wikipedia, the free encyclopedia Irving Asher (1903–1985) was an American film producer. Born in San Francisco in September 1903, he began his film production career in Hollywood in 1919. After joining the staff of Warner Brothers he was sent over to England as the managing director of their subsidiary Teddington Studios in Middlesex in the mid 1930s (where he is credited for discovering and seeing the potential of Errol Flynn when he was a young unknown actor who was hanging around Teddington Studios at the time looking for a way into the movies). Flynn played his first significant part as the lead in the now-lost Murder at Monte Carlo (1935), which was produced by Asher. Asher went on to join Alexander Korda's London Film Productions where he worked on the epic The Four Feathers (1939). Subsequently he returned to Hollywood to work as a producer for Metro-Goldwyn-Mayer, where he earned his only Academy Award nomination for the 1941 Greer Garson film Blossoms in the Dust. Later in his career, he was head of production for 20th Century Fox Television. He married the actress Laura La Plante in 1934. Asher died in California in March 1985.
Assistant Director:
1925 Below the Line
1930 A Notorious Affair
Associate Producer:
1925 Below the Line
1930 A Notorious Affair
1939 The Four Feathers
1951 Here Comes the Groom
Executive Producer:
1925 Below the Line
1930 A Notorious Affair
1935 Get Off My Foot
1935 Man of the Moment
1935 Mr. Cohen Takes a Walk
1936 Hail and Farewell
1936 The Brown Wallet
1937 Don't Get Me Wrong
1937 It’s Not Cricket
1937 Side Street Angel
1937 The Compulsory Wife
1937 The Man Who Made Diamonds
1937 The Vulture
1937 The Windmill
1937 You Live and Learn
1938 Quiet, Please
1938 Thank Evans
1938 The Singing Cop
1938 The Viper
1939 The Four Feathers
1951 Here Comes the Groom
Producer:
1925 Below the Line
1929 The Aviator
1930 A Notorious Affair
1932 A Voice Said Goodnight
1932 Help Yourself
1932 Her Night Out
1932 High Society
1932 Lucky Ladies
1932 Murder on the Second Floor
1932 The River House Ghost
1932 The Silver Greyhound
1933 As Good as New
1933 Call Me Mame
1933 Her Imaginary Lover
1933 High Finance
1933 I Adore You
1933 Mayfair Girl
1933 The Bermondsey Kid
1933 The Thirteenth Candle
1933 This Acting Business
1934 No Escape
1934 Something Always Happens
1934 The Church Mouse
1934 The Girl in Possession
1934 The Office Wife
1934 The Silver Spoon
1935 A Glimpse of Paradise
1935 Crime Unlimited
1935 Father and Son
1935 Get Off My Foot
1935 Hello, Sweetheart
1935 Man of the Moment
1935 Mr. Cohen Takes a Walk
1935 Mr. What's-His-Name?
1935 So You Won't Talk
1935 Someday
1935 The Black Mask
1935 The Girl in the Crowd
1935 What’s in a Name?
1936 Educated Evans
1936 Fair Exchange
1936 Faithful
1936 Gaol Break
1936 Hail and Farewell
1936 The Brown Wallet
1936 Where's Sally?
1937 Don't Get Me Wrong
1937 It’s Not Cricket
1937 Mayfair Melody
1937 Side Street Angel
1937 The Compulsory Wife
1937 The Man Who Made Diamonds
1937 The Vulture
1937 The Windmill
1937 Transatlantic Trouble
1937 You Live and Learn
1938 Double or Quits
1938 Quiet, Please
1938 Simply Terrific
1938 Thank Evans
1938 The Dark Stairway
1938 The Singing Cop
1938 The Viper
1938 Thistledown
1939 Q Planes
1939 The Four Feathers
1939 The Spy in Black
1940 Ten Days in Paris
1941 Billy the Kid
1941 Blossoms in the Dust
1942 Mr. and Mrs. North
1942 Nazi Agent
1942 Tennessee Johnson
1951 Here Comes the Groom
1952 The Turning Point
1954 Elephant Walk
Executive Producer:
1957 Man Without a Gun
Producer:
1956 Broken Arrow
1957 How to Marry a Millionaire
1957 Man Without a Gun
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.