Louis Cato

Birthplace:
Portugal

“Multi-instrumentalist, producer, and singer, Louis Cato is a ball of versatility and a special brand of bright.” -Revive Music  Portuguese-born, Carolina-bred, and current New York City resident Louis Cato is no stranger to planes, tour buses, recording studios, TV sets, liner-notes, and airwaves. He’s a Grammy-nominated and internationally acclaimed multi-instrumentalist, producer, and songwriter. He has recorded with Beyonce, Q-tip, John Legend and Mariah Carey, among other household names. He has toured with some of the most influential acts in music, such as Bobby McFerrin, Snarky Puppy, Marcus Miller, John Scofield, David Sanborn, and George Duke. Currently, Cato is featured nightly on CBS’s “The Late Show with Stephen Colbert” as a member of Jon Batiste and Stay Human.  Cato completed two semesters at Berklee College of Music, but his education and influence is deeply rooted in the gospel and contemporary Christian genres. He was raised in a musical household, drumming by age two and learning wind instruments by age twelve. Much as the Beatles are known for honing their skills during their multi-hour multi-day residencies in London pubs, Cato mastered his bass, drum, and guitar chops during a five-year period of nightly performances in the underground jazz and soul scene in Boston. It was in 2007 at the North Sea Jazz Festival where Cato first met Marcus Miller and a slew of other heavyweights he would eventually work with.  Cato has an undeniable ability to craft sonic landscapes into timeless masterpieces. After two decades of lending his talents to other projects, Cato released his first solo record STARTING NOW (2016), which he also mixed and produced entirely by himself. “I set out to make an honest record, a documentation of who I am and what I do…I feel like I’ve done that.”

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.