Mark Franchetti

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In 2013 Franchetti Produced The Condemned, an indy feature-length documentary about a remote Russian prison exclusively for murderers. In 2015 produced and co-directed Bolshoi Babylon, a feature-length documentary about the Bolshoi Theatre, for HBO and the BBC. He has presented and produced several BBC prime time documentaries.  Franchetti worked for 25 years as a foreign correspondent for the Sunday Times of London. In the last two decades he has been based in Moscow.  He was awarded the British Press Award in 2003, after reporting on the Moscow theatre siege, when he entered the building twice during the hostage taking to interview the terrorists and a Foreign Press Association award in 2004 for his reports on the alleged abuse of Iraqi civilians by U.S Marines.  ​He has written extensively about Russia and the former Soviet Union and covered the conflict in Chechnya and the wars in Kosovo, Iraq, Afghanistan, Georgia, and Ukraine.

Additional information:

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Archival Footage Research:
2019  Our Godfather

Director:
2015  Bolshoi Babylon
2019  Our Godfather

Producer:
2013  The Condemned
2015  Bolshoi Babylon
2019  Our Godfather

Production Manager:
2013  The Condemned
2015  Bolshoi Babylon
2019  Our Godfather

Screenplay:
2013  The Condemned
2015  Bolshoi Babylon
2016  Pure Art
2019  Our Godfather

Writer:
2013  The Condemned
2015  Bolshoi Babylon
2016  Pure Art
2019  Our Godfather

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.