A work in constant progress (and occasional regress).
Alias:
William Regnolds
William de Clerq Reynolds
Birthplace:
Los Angeles, California, USA
Born:
December 9, 1931
Died:
August 24, 2022
From Wikipedia, the free encyclopedia William de Clerq Reynolds (born December 9, 1931) is a retired American actor. He is best known for his film roles in the 1950s and his television roles in the 1960s and 1970s. Reynolds signed with Universal Studios in 1952 and began appearing in pictures such as Carrie (1952), where he had a prominent role as the son of Laurence Olivier, and the Douglas Sirk melodramas All That Heaven Allows (1955) and There's Always Tomorrow (1956). He often played the son of the leading character. Reynolds became tired of his dull, stereotyped roles in the movies and began his move to television in 1959, playing the title role in Pete Kelly's Blues. In 1960–1961, he starred as Sandy Wade on the ABC/Warner Brothers television series The Islanders. In 1962-1963, Reynolds costarred on ABC's The Gallant Men. Reynolds caught his big break co-starring with Efrem Zimbalist, Jr. in another ABC series, the long-running The F.B.I.. Reynolds first made guest appearances in seasons one and two in 1966, before he appeared as series regular Special Agent Tom Colby from 1967 to 1973. He made two appearances as Colby in the ninth season (1973–74). Reynolds left show business after The F.B.I. ended its run and became a businessman.
Editor:
1955 Daddy Long Legs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.