Chris Chong Chan Fui (b. 1972)

Birthplace:
Kota Kinabalu, Malaysia

Born:
January 1, 1972

CHRIS CHONG CHAN FUI is a filmmaker and artist who works between Southeast Asia and Canada. From digital and analog moving images to fabricated and organic objects, Chong works to reveal unfamiliar narratives. His work layers the social and natural sciences with transnational circuits of globalization and manufactured cultures and landscapes. With a rigorous research methodology and a formalist aesthetic, he uses structure and constraints as a creative path toward expressive innovation. Chong has exhibited at such venues as the Hirshhorn Museum & Sculpture Garden, Palais de Tokyo, EYE Film Institute Netherlands, and the Gwangju Biennale, while premiering films at the Cannes Film Festival's Directors’ Fortnight, BFI London, and TIFF’s Wavelengths, where he won back-to-back awards for Best Canadian Short Film. He is a Smithsonian Institute fellow (National Museum of Natural History), a Ford Foundation fellow, and a Rockefeller Foundation's Bellagio Arts Fellow. Chong holds an MFA (film) from York University and is the Assistant Professor (film) at Simon Fraser University’s School for the Contemporary Arts on the unceded territories of the Sḵwx̱wú7mesh Úxwumixw (Squamish), səl̓ilw̓ətaʔɬ (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations.

Additional information:

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Director:
1998  Crash Skid Love
1999  Minus
2000  Music Might Have Deceived Us
2008  Block B
2009  Karaoke
2019  Camera Trap
2023  PARADE PROTEST

Producer:
1998  Crash Skid Love
1999  Minus
2000  Music Might Have Deceived Us
2008  Block B
2009  Karaoke
2019  Camera Trap
2023  PARADE PROTEST

Screenplay:
1998  Crash Skid Love
1999  Minus
2000  Music Might Have Deceived Us
2008  Block B
2009  Karaoke
2019  Camera Trap
2023  PARADE PROTEST

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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