A work in constant progress (and occasional regress).
Alias:
Martin Pieter Zandvliet
마틴 잔드블리엣
Birthplace:
Fredericia, Denmark
Born:
January 7, 1971
Martin Pieter Zandvliet (born 7 January 1971 in Fredericia) is a Danish film director and screenwriter. Zandvliet originally began as an editor, before writing and directing the documentary Angels of Brooklyn in 2002. His first major picture was Applause in 2009, which received wide praise. He then wrote and directed A Funny Man, based on the life of Danish actor and comedian Dirch Passer. In 2015 he wrote and directed Land of Mine, which received almost universal acclaim at home, with many calling it the best Danish film that year, the film was furthermore nominated for the Academy Award for Best Foreign Language Film at the 89th Academy Awards.
Co-Writer:
2021 The Marco Effect
Director:
2006 Me As Usual
2009 Applause
2011 A Funny Man
2015 Land of Mine
2018 The Outsider
2021 The Marco Effect
2023 Tove’s Room
???? Small Dark Look
???? The Challenger
???? The Great Americans
Editor:
2005 When You Wake
2006 Me As Usual
2006 Mum
2007 Dennis
2009 Applause
2011 A Funny Man
2015 Land of Mine
2018 The Outsider
2021 The Marco Effect
2023 Tove’s Room
???? Small Dark Look
???? The Challenger
???? The Great Americans
Screenplay:
2005 When You Wake
2006 Me As Usual
2006 Mum
2007 Dennis
2009 Applause
2011 A Funny Man
2012 Teddy Bear
2015 Land of Mine
2018 The Outsider
2021 The Marco Effect
2023 Tove’s Room
???? Small Dark Look
???? The Challenger
???? The Great Americans
Writer:
2005 When You Wake
2006 Me As Usual
2006 Mum
2007 Dennis
2009 Applause
2011 A Funny Man
2012 Teddy Bear
2015 Land of Mine
2016 The Model
2018 The Outsider
2021 The Marco Effect
2023 Tove’s Room
???? Small Dark Look
???? The Challenger
???? The Great Americans
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.