A work in constant progress (and occasional regress).
Alias:
أمل بجاوي
Birthplace:
Algiers, Algeria
Born:
July 27, 1963
Amal Bedjaoui (in arabic : أمل بجاوي), born in Algiers on July 27, 1963, is an Algerian film director, screenwriter, documentary filmmaker and producer. She is the daughter of the Algerian statesman Mohammed Bedjaoui. Amal Bedjaoui studied film at New York University and graduated from IDHEC in 1985 and obtained a DEA in Cinema from the University of Paris 1 in 1987. Amal Bedjaoui was an intern and assistant director on various feature films with Alain Resnais, Ben Lewin, Gérard Oury, Nadine Trintignant and Ariel Zeitoun, as well as a production-research preparation intern on the film Van Gogh for Maurice Pialat in 1991. She was an assistant director in the theater with Béatrice Houplain. Amal Bedjaoui was production manager on various short films and for the feature film "What I Have Written" by Australian director and documentary filmmaker John Hughes (film presented in competition at the Berlin Film Festival, 1996). In 1995, her film, Shoot me Angel won the Panorama Award at the Berlin International Film Festival in 1996. She directed Un fils, her first medium-length film of 58 minutes released in theaters in 2004. After being selected at the 60th Venice International Film Festival in the New Territories selection, the film received a special mention from the jury at the International Mediterranean Festival in Rome in 2006 and the CNC Quality Award.
Director:
1995 Shoot Me Angel
1995 Une Vue Imprenable
2003 A Son
Production Director:
1995 Shoot Me Angel
1995 Une Vue Imprenable
1996 What I Have Written
2003 A Son
Writer:
1995 Shoot Me Angel
1995 Une Vue Imprenable
1996 What I Have Written
2003 A Son
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.