A work in constant progress (and occasional regress).
Alias:
Hugo Alberto Sofovich
Birthplace:
Buenos Aires, Argentina
Born:
December 18, 1939
Died:
January 12, 2003
Hugo Alberto Sofovich was an Argentine producer, director and librettist.
Director:
1976 La noche del hurto
1977 Un toque diferente
1979 Custodio de señoras
1979 El rey de los exhortos
1979 Expertos en pinchazos
1980 A los cirujanos se les va la mano
1980 Así no hay cama que aguante
1980 Shared Apartment
1981 Amante para dos
1981 Las mujeres son cosa de guapos
1981 Te rompo el rating
1982 Un terceto peculiar
1985 El telo y la tele
1987 El Manosanta está Cargado
1998 La herencia del Tío Pepe
Producer:
1973 The Knights of the Round Bed
1976 La noche del hurto
1977 Un toque diferente
1979 Custodio de señoras
1979 El rey de los exhortos
1979 Expertos en pinchazos
1980 A los cirujanos se les va la mano
1980 Así no hay cama que aguante
1980 Shared Apartment
1981 Amante para dos
1981 Las mujeres son cosa de guapos
1981 Te rompo el rating
1982 Un terceto peculiar
1985 El telo y la tele
1987 El Manosanta está Cargado
1998 La herencia del Tío Pepe
Writer:
1973 Los doctores las prefieren desnudas
1973 The Knights of the Round Bed
1974 Los vampiros los prefieren gorditos
1976 La noche del hurto
1977 Un toque diferente
1979 Custodio de señoras
1979 El rey de los exhortos
1979 Expertos en pinchazos
1979 La fiesta de todos
1980 A los cirujanos se les va la mano
1980 Así no hay cama que aguante
1980 Shared Apartment
1981 Amante para dos
1981 Las mujeres son cosa de guapos
1981 Te rompo el rating
1982 Un terceto peculiar
1985 El telo y la tele
1987 El Manosanta está Cargado
1998 La herencia del Tío Pepe
Creator:
1998 Rompeportones
Writer:
1987 Susana Giménez
1998 Rompeportones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.