Mona Nicoara

Mona Nicoara was born in Communist Romania and, until 1989, dedicated her early years to becoming a poet in a small, largely underground community of young writers who did not abide by the creative conventions of the Ceausescu era. She started working in film in 1997 as an Associate Producer for Children Underground (2001), which received the Special Jury Prize at the Sundance Film Festival and was nominated for an Academy Award for Best Feature Documentary. Her directorial debut, Our School (2011), premiered in the US at the Tribeca Film Festival, went on to over 60 festivals worldwide, was awarded the Grand Jury Prize for Best US Feature at SilverDocs, and was nominated for Best Eastern European Documentary at the Silver Eye Awards and for Best Romanian Documentary at the Gopo Awards. The film was released theatrically in Romania, Switzerland, and the US. Since 2014, she has been programming the One World Romania and fARAD film festivals, and since 2017 has been teaching film at NYU Tisch and Rutgers University.

Additional information:

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Consulting Producer:
2014  Toto and his Sisters

Director:
2013  Our School
2014  Toto and his Sisters
2019  The Distance Between Me and Me

Editorial Consultant:
2013  Our School
2014  Toto and his Sisters
2019  Collective
2019  The Distance Between Me and Me

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.