A work in constant progress (and occasional regress).
Birthplace:
Recife, Pernambuco, Brazil
Born:
January 1, 1983
Gabriel Mascaro is a visual artist and filmmaker from Recife, Brazil. Mascaro's work is characterized by a critical interpretation of the contemporaneity through observing or inventing everyday practices that involve performance, games of inversion, displacement and appropriation. He investigates the relationship between micro-politics and everyday life through film, installation and photography. His films and video installations have been screened at important festivals and artistic events/exhibitions including Venice, IDFA, Locarno, Toronto, Rotterdam, MoMAn-nNY, Oberhausen, Clermont Ferrand, the Guggenheim, MACBAn- Barcelona Museum of Contemporary Art, Panorama da Arte Brasileira at MAM - SP and the São Paulo Art Biennale. Mascaro participated in the Videobrasil Artistic Residency at the Videoformes in France and the Wexner Center for Arts in the USA. His films have won over 50 awards. In April 2016 he had a retrospective of his work at the Lincoln Center in New York.
Art Direction:
2010 The Adventures of Paulo Bruscky
Director:
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Director of Photography:
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Editor:
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Executive Producer:
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Producer:
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Screenplay:
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Sound:
2004 Contratempo
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Writer:
2004 Contratempo
2008 The Beetle KFZ-1348
2009 High-Rise
2010 Defiant Brasília
2010 The Adventures of Paulo Bruscky
2012 Ebb and Flow
2012 Housemaids
2014 August Winds
2014 Não é Sobre Sapatos
2014 Seven Hearts
2016 Neon Bull
2019 Divine Love
2020 Cinetracts '20
???? Centro da Terra
???? Outro Lado do Céu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.