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Damjan Kozole (b. 1964)

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Birthplace:
Brezice, Slovenia

Born:
June 1, 1964

Biography from TheMovieDB

From Wikipedia, the free encyclopedia.  Damjan Kozole (born in 1964 in Brezice, Slovenia, then Yugoslavia) is one of the most recognized Slovenian filmmakers. In his films, "some of the most raffish, funky and even sordid characters discover their own humanity" (Alissa Simon, Variety). Sight & Sound ranked his Spare Parts among ten most important films of the New Europe. In 2005, a Damjan Kozole film retrospective took place in the United States and Canada, hosted by the American Film Institute.  Description above from the Wikipedia article Damjan Kozole, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Production

Cinematography:
2013  Ulay

Director:
1986  The Fatal Telephone
1988  Remington
1992  Enfant terrible
1997  Stereotype
2000  Porno Movie
2003  Spare Parts
2004  Labour Equals Freedom
2004  Visions of Europe
2009  Forever
2009  Slovenian Girl
2011  House D
2012  Long Vacation
2013  Ulay
2015  Nightlife
2016  Borders
2019  Half-Sister
2023  Pero

Writer:
1986  The Fatal Telephone
1988  Remington
1992  Enfant terrible
1997  Stereotype
2000  Porno Movie
2003  Spare Parts
2004  Labour Equals Freedom
2004  Visions of Europe
2009  Forever
2009  Slovenian Girl
2011  House D
2012  Long Vacation
2013  Ulay
2015  Nightlife
2016  Borders
2019  Half-Sister
2023  Pero

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.