A work in constant progress (and occasional regress).
Birthplace:
Winston-Salem, North Carolina, U.S.
Born:
July 1, 1916
Died:
July 12, 2012
George Cashel Stoney (July 1, 1916 – July 12, 2012) was a pioneering American documentary filmmaker, educator, and a foundational figure in the development of public-access television, often regarded as its "father." Stoney's documentary films, including Palmour Street, A Study of Family Life (1949), All My Babies (1953), How the Myth Was Made (1979), and The Uprising of '34 (1995), explored social issues with a focus on the human condition and the working class. All My Babies, a powerful documentary about childbirth and midwifery in the rural South, was selected for preservation in the National Film Registry in 2002 for its cultural, historical, and aesthetic significance. As a teacher and mentor, Stoney helped shape future generations of filmmakers, and his contributions to the field were celebrated in the 1999 Festschrift volume of the journal Wide Angle. His legacy continues to influence documentary filmmaking and the role of media in public life.
Director:
1949 Palmour Street (A Study in Family Life)
1953 All My Babies... A Midwife's Own Story
1953 The American Road
1955 The Invader
1956 The Boy Who Saw Through
1960 Booked for Safekeeping
1964 How to Look at a City
1972 First Transmission of ACTV
1972 When I Go - That's It!
1975 The Shepherd of the Night Flock
1978 How the Myth Was Made: A Study of Robert Flaherty's Man of Aran
1995 The Uprising of '34
???? Planning for Floods
???? Under Pressure
Executive Producer:
1949 Palmour Street (A Study in Family Life)
1953 All My Babies... A Midwife's Own Story
1953 The American Road
1955 The Invader
1956 The Boy Who Saw Through
1960 Booked for Safekeeping
1964 How to Look at a City
1970 Occupation
1972 First Transmission of ACTV
1972 When I Go - That's It!
1975 The Shepherd of the Night Flock
1978 How the Myth Was Made: A Study of Robert Flaherty's Man of Aran
1995 The Uprising of '34
???? Planning for Floods
???? Under Pressure
Producer:
1949 Palmour Street (A Study in Family Life)
1953 All My Babies... A Midwife's Own Story
1953 The American Road
1955 The Invader
1956 The Boy Who Saw Through
1960 Booked for Safekeeping
1964 How to Look at a City
1969 These Are My People...
1969 Up Against the System
1969 You Are on Indian Land
1970 Introduction to Labrador
1970 Occupation
1971 I Don't Think It's Meant for Us...
1971 Nell and Fred
1972 First Transmission of ACTV
1972 When I Go - That's It!
1975 The Shepherd of the Night Flock
1978 How the Myth Was Made: A Study of Robert Flaherty's Man of Aran
1982 The Weavers: Wasn't That a Time
1995 The Uprising of '34
???? Planning for Floods
???? Under Pressure
Writer:
1949 Palmour Street (A Study in Family Life)
1951 Birthright
1953 All My Babies... A Midwife's Own Story
1953 The American Road
1955 The Invader
1956 The Boy Who Saw Through
1960 Booked for Safekeeping
1964 How to Look at a City
1969 These Are My People...
1969 Up Against the System
1969 You Are on Indian Land
1970 Introduction to Labrador
1970 Occupation
1971 I Don't Think It's Meant for Us...
1971 Nell and Fred
1972 First Transmission of ACTV
1972 When I Go - That's It!
1975 The Shepherd of the Night Flock
1978 How the Myth Was Made: A Study of Robert Flaherty's Man of Aran
1982 The Weavers: Wasn't That a Time
1995 The Uprising of '34
???? Planning for Floods
???? Under Pressure
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.