Emad Burnat (b. 1971)

Alias:
عماد برناط

Birthplace:
Palestine

Born:
January 1, 1971

Emad Burnat is a Palestinian farmer and filmmaker born in 1971. He is the first Palestinian nominated for the Academy Award for Best Documentary Feature.  His documentary "5 Broken Cameras" is a first-hand account of life and protests in Bil'in, a West Bank village adjacent to Israeli settlements. The film was co-directed by Burnat and Guy Davidi, an Israeli filmmaker. The film is structured in chapters around the destruction of each of Burnat's cameras and follows the evolution of a family over the course of five years of village upheaval.  Five Broken Cameras is a Palestinian-Israeli-French co-production. The film's personal style and, in particular, Burnat's collaboration with an Israeli filmmaker, have been controversial within the Palestinian community due to the ongoing boycott against Israel by Palestinians. The boycott, however, was never intended to include a boycott of Israeli activists and the problem stems from the fact that Israel claimed the film as its own after its Oscar nomination in 2012.  On February 19, 2013, he and his family were arrested at Los Angeles International Airport, when customs officials refused to believe his reason for entering American soil. “Although this has been an unpleasant experience, it is a daily occurrence for us Palestinians, every day, throughout the West Bank. There are more than 500 Israeli checkpoints, roadblocks and other obstacles to movement in our territory , and none of us were spared from the experience my family and I went through yesterday."...

Additional information:

The Search Form


Director:
2011  5 Broken Cameras

Director:
1987  Le Monde En Face

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.