A work in constant progress (and occasional regress).
Animation:
1997 The Vision Machine
Director:
1982 Imitation of Life
1982 Kapital
1982 Man with a Movie Camera (Blonde; He Appears to Be Young)
1986 Something is Seen But One Doesn't Know What
1988 1970 or the Collapse of History in the Hysterical Sublime
1988 A Public Appearance and a Statement
1988 Fascination
1989 The Deadman
1991 The Gift
1996 The Artwork in the Age of its Mechanical Reproducibility by Walter Benjamin as told to Keith Sanborn
1997 The Vision Machine
1999 Mirror
1999 The Zapruder Footage: An Investigation of Consensual Hallucination
2000 For the Birds
2001 Semi-private sub-Hegelian Panty Fantasy (with sound)
2004 Operation Double Trouble
2008 The Force of Beauty, The Beauty of Force
2015 Energy of Delusion
2019 One Minute for Jonas on the Day of His Occultation
2023 Slow Death
2023 Terrain
2024 Joan's Studio
2024 Negative Capability
2025 Dreadful Penny Dreadful
Editor:
1982 Imitation of Life
1982 Kapital
1982 Man with a Movie Camera (Blonde; He Appears to Be Young)
1986 Something is Seen But One Doesn't Know What
1988 1970 or the Collapse of History in the Hysterical Sublime
1988 A Public Appearance and a Statement
1988 Fascination
1989 The Deadman
1991 The Gift
1996 The Artwork in the Age of its Mechanical Reproducibility by Walter Benjamin as told to Keith Sanborn
1997 The Vision Machine
1999 Mirror
1999 The Zapruder Footage: An Investigation of Consensual Hallucination
2000 For the Birds
2001 Semi-private sub-Hegelian Panty Fantasy (with sound)
2004 Operation Double Trouble
2008 The Force of Beauty, The Beauty of Force
2015 Energy of Delusion
2019 One Minute for Jonas on the Day of His Occultation
2023 Slow Death
2023 Terrain
2024 Joan's Studio
2024 Negative Capability
2025 Dreadful Penny Dreadful
Producer:
1982 Imitation of Life
1982 Kapital
1982 Man with a Movie Camera (Blonde; He Appears to Be Young)
1986 Something is Seen But One Doesn't Know What
1988 1970 or the Collapse of History in the Hysterical Sublime
1988 A Public Appearance and a Statement
1988 Fascination
1989 The Deadman
1991 The Gift
1996 The Artwork in the Age of its Mechanical Reproducibility by Walter Benjamin as told to Keith Sanborn
1997 The Vision Machine
1999 Mirror
1999 The Zapruder Footage: An Investigation of Consensual Hallucination
2000 For the Birds
2001 Semi-private sub-Hegelian Panty Fantasy (with sound)
2004 Operation Double Trouble
2008 The Force of Beauty, The Beauty of Force
2015 Energy of Delusion
2019 One Minute for Jonas on the Day of His Occultation
2023 Slow Death
2023 Terrain
2024 Joan's Studio
2024 Negative Capability
2025 Dreadful Penny Dreadful
Sound:
1982 Imitation of Life
1982 Kapital
1982 Man with a Movie Camera (Blonde; He Appears to Be Young)
1986 Something is Seen But One Doesn't Know What
1988 1970 or the Collapse of History in the Hysterical Sublime
1988 A Public Appearance and a Statement
1988 Fascination
1989 The Deadman
1991 The Gift
1993 The Genius
1996 The Artwork in the Age of its Mechanical Reproducibility by Walter Benjamin as told to Keith Sanborn
1997 The Vision Machine
1999 Mirror
1999 The Zapruder Footage: An Investigation of Consensual Hallucination
2000 For the Birds
2001 Semi-private sub-Hegelian Panty Fantasy (with sound)
2004 Operation Double Trouble
2008 The Force of Beauty, The Beauty of Force
2015 Energy of Delusion
2019 One Minute for Jonas on the Day of His Occultation
2023 Slow Death
2023 Terrain
2024 Joan's Studio
2024 Negative Capability
2025 Dreadful Penny Dreadful
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.