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Jud Yalkut (d. 2013)

Birthplace:
New York City, New York

Died:
July 23, 2013

Biography from TheMovieDB

Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.

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Additional information:

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Film Performances

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Film Production

Camera Operator:
1976  A Tribute to John Cage

Cinematography:
1967  Kusama's Self-Obliteration
1970  Aquarian Rushes
1976  A Tribute to John Cage

Co-Director:
1967  Kusama's Self-Obliteration
1970  Aquarian Rushes
1974  Suite 212
1976  A Tribute to John Cage

Director:
1963  GHOST REV
1965  Diffraction Film
1965  Electronic Fables
1966  D.M.T.
1966  Electronic Moon No. 2
1966  P+A-I(k)
1966  Turn Turn Turn
1966  Us Down by the Riverside
1966  Waiting for Commercials
1967  Kusama's Self-Obliteration
1967  Missa of Zen
1967  Opera Sextronique
1967  The Godz
1967  Videotape Study No. 3
1968  Early Color TV Manipulations
1968  Exprmntl 1967
1968  Planes
1969  7th Annual New York Avant Garde Festival
1969  Beatles Electroniques
1969  Seminar
1969  Some Manipulations
1970  Aquarian Rushes
1971  TV Cello Premiere
1972  4th Annual New York Avant Garde Festival
1972  Astrolabe of God
1972  Cinema Metaphysique No. 1-5
1972  Electronic Yoga
1972  Television as a Creative Medium
1973  26'1.1499" For A String Player
1973  John Cage Mushroom Hunting in Stony Point
1973  The Whirling Ecstasy
1974  Suite 212
1976  A Tribute to John Cage
1982  Self Portrait 2
1992  Video Commune
2002  Light Display: Color

Editor:
1963  GHOST REV
1965  Diffraction Film
1965  Electronic Fables
1966  D.M.T.
1966  Electronic Moon No. 2
1966  P+A-I(k)
1966  Turn Turn Turn
1966  Us Down by the Riverside
1966  Waiting for Commercials
1967  Kusama's Self-Obliteration
1967  Missa of Zen
1967  Opera Sextronique
1967  The Godz
1967  Videotape Study No. 3
1968  Early Color TV Manipulations
1968  Exprmntl 1967
1968  Planes
1969  7th Annual New York Avant Garde Festival
1969  Beatles Electroniques
1969  Seminar
1969  Some Manipulations
1970  Aquarian Rushes
1971  TV Cello Premiere
1972  4th Annual New York Avant Garde Festival
1972  Astrolabe of God
1972  Cinema Metaphysique No. 1-5
1972  Electronic Yoga
1972  Television as a Creative Medium
1973  26'1.1499" For A String Player
1973  John Cage Mushroom Hunting in Stony Point
1973  The Whirling Ecstasy
1974  Suite 212
1976  A Tribute to John Cage
1982  Self Portrait 2
1992  Video Commune
2002  Light Display: Color

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.