Leandros Ntounis

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Alias:
Leandros Dounis
Λέανδρος Ντούνης

Leandros Ntounis (Athens, 1977) has been working as a sound designer and re-recording mixer for feature films, documentaries and TV since 2000. His main artistic interest lies within art-house films with strong authoritarian vision, accommodating the creative needs of each individual project. He has worked on international projects in Los Angeles, New York, France, Germany, UK, Turkey, Latvia, South Africa, Alaska, New Orleans, Chile, India. He is based in Athens. He founded I hear voices in 2008.

Additional information:

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Production Sound Mixer:
2012  The Capsule

Sound:
2006  Gas
2008  The Best Bride
2010  Attenberg
2012  The Capsule
2014  7 Kinds of Wrath
2014  Washingtonia
2016  Athina Rachel Tsangari: Cinema on the Edges
2017  Unbuilt Light
2019  All the Fires the Fire
2020  Iskioma
2021  Apples
2022  Homo Perfectus
2023  Ladies in Waiting
2023  Mykonian Pastoral
2024  Dogwatch
2024  Unclickable

Sound Designer:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Time of Day
2019  All the Fires the Fire
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

Sound Director:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Modris
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Time of Day
2019  All the Fires the Fire
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

Sound Editor:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Modris
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Time of Day
2019  All the Fires the Fire
2019  Approach
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

Sound Mixer:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Modris
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  After Before
2017  Preparation
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Time of Day
2019  All the Fires the Fire
2019  Approach
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

Sound Re-Recording Mixer:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Modris
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  After Before
2017  Preparation
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Pity
2018  Time of Day
2019  All the Fires the Fire
2019  Approach
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Fingernails
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2023  Why Won't You Dance?
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

Sound Recordist:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2011  Face Down
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Modris
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  After Before
2017  Preparation
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Pity
2018  Time of Day
2019  All the Fires the Fire
2019  Approach
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Fingernails
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2023  Why Won't You Dance?
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

Supervising Sound Editor:
2006  Gas
2008  The Best Bride
2009  Dogtooth
2010  Attenberg
2011  Alps
2011  Face Down
2012  Chamomile
2012  The Capsule
2013  24 Frames per Century
2013  Necktie
2013  The Benaki Museum
2014  7 Kinds of Wrath
2014  Modris
2014  Sivas
2014  Washingtonia
2015  Motherland
2016  A Country of Two
2016  Athina Rachel Tsangari: Cinema on the Edges
2016  Fox
2016  Hiwa
2016  Rust / Óxido (C)
2016  Suntan
2017  After Before
2017  Preparation
2017  Unbuilt Light
2018  Hector Malot: The Last Day of the Year
2018  Pity
2018  Time of Day
2019  All the Fires the Fire
2019  Approach
2019  Meltem
2020  Birds (Or How to Be One)
2020  Iskioma
2020  The End of Suffering (A Proposal)
2021  Aleph
2021  Amygdala
2021  Apples
2021  Digger
2022  A Cup of Coffee and New Shoes On
2022  A Day in the Life of a Teddy Bear
2022  Homo Perfectus
2022  The Last Journey
2023  Ararat
2023  Arizones
2023  Fingernails
2023  Ladies in Waiting
2023  Light of Light
2023  Mykonian Pastoral
2023  Why Won't You Dance?
2024  Dogwatch
2024  Unclickable
2024  When the Phone Rang

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.