A work in constant progress (and occasional regress).
Birthplace:
Arcade, New York, USA
Born:
July 21, 1896
Died:
August 8, 1991
From Wikipedia Gladys Hulette (July 21, 1896 – August 8, 1991) was a silent film actress from Arcade, New York. Her career began in the early years of silent movies and continued until the mid-1930s. She first performed on stage at the age of three and on screen when she was seven years old. Hulette was also a talented artist. Her mother was an opera star. In her earliest motion picture features she was under contract to Vitagraph Studios. There was a stigma for Broadway theater actors to be seen in motion pictures when silent films first began to be made. Hulette later discussed this, saying the picture heroes were mostly Coney Island life savers. One company prevailed upon a leading stage actor to play the role of Hamlet on screen. This began the influx of more Broadway actors into the new medium. By 1917 Hulette's films were being produced by leading director William Parke. In that year she made her most popular film to date, Streets of Illusion. Playing the part of Beam, Hulette's co-stars included Richard Barthelmess and J.H. Gilmour. Parke owned theatrical companies and assisted Hulette in making one hit after another. By 1921 she was a veteran of the motion picture industry. She again played opposite Barthelmess, this time in Tol'able David. She played the ingenue part of Esther Hatburn. In an interview she said she wished for no different type of roles than the one she played in this film. Later she sought comedy-drama parts which she portrayed in Jack O' Hearts (1926) and A Bowery Cinderella (1927). Hulette made her debut in sound films in Torch Singer (1933). Her final film appearances came in Her Resale Value (1933) and with uncredited roles in The Girl From Missouri and One Hour Late, both from 1934.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.