A work in constant progress (and occasional regress).
Assistant Director:
1949 Heaven Over the Marshes
Director:
1949 Heaven Over the Marshes
1954 Siamo ricchi e poveri
1955 Un palco all'opera
1956 We will get married in Capri
1958 Il bacio del sole
1959 The Devil's Cavaliers
1962 The Secret Mark of D'Artagnan
1963 Hero of Babylon
1964 Man of the Cursed Valley
1967 Lola Colt
1969 Gangster's Law
First Assistant Director:
1949 Heaven Over the Marshes
1952 Red Shirts - Anita Garibaldi
1954 Siamo ricchi e poveri
1955 Un palco all'opera
1956 We will get married in Capri
1958 Il bacio del sole
1959 The Devil's Cavaliers
1962 The Secret Mark of D'Artagnan
1963 Hero of Babylon
1964 Man of the Cursed Valley
1967 Lola Colt
1969 Gangster's Law
Screenplay:
1949 Heaven Over the Marshes
1952 Red Shirts - Anita Garibaldi
1954 Siamo ricchi e poveri
1955 Un palco all'opera
1956 We will get married in Capri
1958 Il bacio del sole
1959 The Devil's Cavaliers
1962 The Secret Mark of D'Artagnan
1963 Hero of Babylon
1964 Man of the Cursed Valley
1967 Lola Colt
1969 Gangster's Law
Story:
1949 Heaven Over the Marshes
1952 Red Shirts - Anita Garibaldi
1954 Siamo ricchi e poveri
1955 Un palco all'opera
1956 We will get married in Capri
1958 Il bacio del sole
1959 The Devil's Cavaliers
1962 The Secret Mark of D'Artagnan
1963 Hero of Babylon
1964 Man of the Cursed Valley
1967 Lola Colt
1969 Gangster's Law
Writer:
1949 Heaven Over the Marshes
1952 Red Shirts - Anita Garibaldi
1954 Siamo ricchi e poveri
1955 Un palco all'opera
1956 We will get married in Capri
1958 Il bacio del sole
1959 The Devil's Cavaliers
1962 The Secret Mark of D'Artagnan
1963 Hero of Babylon
1964 Man of the Cursed Valley
1967 Lola Colt
1969 Gangster's Law
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.