Mio Ezaki (b. 1932)

Gallery Unavailable

Alias:
江崎実生

Birthplace:
Kumamoto, Kumamoto Prefecture, Japan

Born:
January 3, 1932

Additional information:

The Search Form


Assistant Director:
1962  Hana to ryu
1962  Otoko to otoko no ikiru machi

Director:
1962  Hana to ryu
1962  Otoko to otoko no ikiru machi
1964  Black Strait
1965  The Black Gambler: Murderous Dice
1965  The Dragon of Macao
1965  When the Flowers Bloom
1966  The Harbor of No Return
1966  Till We Meet Again
1967  A Warm Misty Night
1967  The Return of the Filthy Seven
1968  Confessions of a Lovelace: At Lust's End
1968  Outlaw: Heartless
1968  The Code of Man
1969  Girl Boss: Broken Justice
1969  Gorgeous Leopardess
1969  Women's Police
1969  Women's Police: Part II
1970  Dangerous Games
1970  Men's Lifetime Dream-A Peep into A Women's Bathhouse
1970  あばれ丁半
1971  Go As Messy As Messy Can Be
1971  The Killer
1971  喜劇 男の顔は人生よ
1972  Kôkôsei burai hikae
1973  Kôkôsei burai hikae: Tsuki no Muramasa
1973  Kōkōsei burai hikae: Kanjirū Muramasa
1991  The Unruly Ronin's Journey
1994  青い豹 最も危険なヒットマン
1994  青い豹2 88は殺しの番号

Screenplay:
1959  A Man Explodes
1962  Hana to ryu
1962  Hitoribotchi no futari daga
1962  Otoko to otoko no ikiru machi
1962  Rainbow Over Kinmon
1964  Black Strait
1965  The Black Gambler: Murderous Dice
1965  The Dragon of Macao
1965  When the Flowers Bloom
1966  The Harbor of No Return
1966  Till We Meet Again
1967  A Warm Misty Night
1967  The Return of the Filthy Seven
1968  Confessions of a Lovelace: At Lust's End
1968  Outlaw: Heartless
1968  The Code of Man
1969  Girl Boss: Broken Justice
1969  Gorgeous Leopardess
1969  Women's Police
1969  Women's Police: Part II
1970  Dangerous Games
1970  Men's Lifetime Dream-A Peep into A Women's Bathhouse
1970  あばれ丁半
1971  Go As Messy As Messy Can Be
1971  The Killer
1971  喜劇 男の顔は人生よ
1972  Kôkôsei burai hikae
1973  Kôkôsei burai hikae: Tsuki no Muramasa
1973  Kōkōsei burai hikae: Kanjirū Muramasa
1991  The Unruly Ronin's Journey
1994  青い豹 最も危険なヒットマン
1994  青い豹2 88は殺しの番号

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.