Denis Klebleev

Alias:
Denis Klebleyev
Денис Клеблеев

Denis Klebleev (1981) is a filmmaker and cinematographer from Moscow. In 2012 he graduated from Marina Razbezhkina’s School of Documentary Film. His diploma film 31st Haul (2012) won the Best Feature Film prize at Artdocfest (Moscow) and was selected for several film festivals (including Hot Docs and Cinema du Reel). His second documentary Strange Particles (2015) premiered at Cinema Du Reel (Paris), where it received two prizes. It was later screened at various well-known international festivals (Hot Docs, Dok-Leizpig, Locarno, Viennale, etc.). In 2015 he was a member of the jury for the short film competition at the Locarno Film Festival. The world premiere of his new documentary King Lear took place at Hot Docs (Toronto) in April 2018.

Additional information:

The Search Form


Cinematography:
2016  A Tale of Singers and Murderers
2017  King Lear

Director:
2012  Winter, Go Away!
2013  31st Haul
2015  Strange Particles
2016  A Tale of Singers and Murderers
2017  King Lear
2020  Alisa: Excitement

Director of Photography:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2020  Alisa: Excitement
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

Editor:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2020  Alisa: Excitement
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

Producer:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2019  Concentrate On Breathing
2020  Alisa: Excitement
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

Screenplay:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2019  Concentrate On Breathing
2020  Alisa: Excitement
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

Sound Editor:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2019  Concentrate On Breathing
2020  Alisa: Excitement
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

Thanks:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2019  Concentrate On Breathing
2020  Alisa: Excitement
2020  The Legend of Siegfried
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

Writer:
2012  Winter, Go Away!
2013  31st Haul
2013  Optical Axis
2015  Strange Particles
2016  A Tale of Singers and Murderers
2016  Blueberry Fields
2017  King Lear
2017  The Thick Woman
2018  50
2018  Beautiful
2019  Concentrate On Breathing
2020  Alisa: Excitement
2020  The Legend of Siegfried
2021  Nuuccha
2022  Carpenter
2023  Hi, Mom

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.