A work in constant progress (and occasional regress).
Alias:
Denis Klebleyev
Денис Клеблеев
Denis Klebleev (1981) is a filmmaker and cinematographer from Moscow. In 2012 he graduated from Marina Razbezhkina’s School of Documentary Film. His diploma film 31st Haul (2012) won the Best Feature Film prize at Artdocfest (Moscow) and was selected for several film festivals (including Hot Docs and Cinema du Reel). His second documentary Strange Particles (2015) premiered at Cinema Du Reel (Paris), where it received two prizes. It was later screened at various well-known international festivals (Hot Docs, Dok-Leizpig, Locarno, Viennale, etc.). In 2015 he was a member of the jury for the short film competition at the Locarno Film Festival. The world premiere of his new documentary King Lear took place at Hot Docs (Toronto) in April 2018.
Cinematography:
2016 A Tale of Singers and Murderers
2017 King Lear
Director:
2012 Winter, Go Away!
2013 31st Haul
2015 Strange Particles
2016 A Tale of Singers and Murderers
2017 King Lear
2020 Alisa: Excitement
Director of Photography:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2020 Alisa: Excitement
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Editor:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2020 Alisa: Excitement
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Producer:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2019 Concentrate On Breathing
2020 Alisa: Excitement
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Screenplay:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2019 Concentrate On Breathing
2020 Alisa: Excitement
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Sound Editor:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2019 Concentrate On Breathing
2020 Alisa: Excitement
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Thanks:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2019 Concentrate On Breathing
2020 Alisa: Excitement
2020 The Legend of Siegfried
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Writer:
2012 Winter, Go Away!
2013 31st Haul
2013 Optical Axis
2015 Strange Particles
2016 A Tale of Singers and Murderers
2016 Blueberry Fields
2017 King Lear
2017 The Thick Woman
2018 50
2018 Beautiful
2019 Concentrate On Breathing
2020 Alisa: Excitement
2020 The Legend of Siegfried
2021 Nuuccha
2022 Carpenter
2023 Hi, Mom
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.