Zbigniew Wichłacz (b. 1947)

Birthplace:
Łódź, Polska

Born:
November 13, 1947

Additional information:

The Search Form


Camera Operator:
1977  Bewitching Eyes
1979  Unlimited Space
1980  The Calm
1981  On Snow

Cinematography:
1977  Bewitching Eyes
1979  Clinch
1979  Unlimited Space
1980  The Calm
1981  On Snow
1995  "Demoniczne" kobiety Witkacego
1995  Żywe obrazy

Director of Photography:
1977  Bewitching Eyes
1979  Clinch
1979  Unlimited Space
1980  The Calm
1981  Material Test
1981  On Snow
1984  Ivy
1985  Fog
1985  The House of Fools
1986  Sezon na bażanty
1990  Sceny nocne
1993  White Marriage
1995  "Demoniczne" kobiety Witkacego
1995  Legenda Tatr
1995  Żywe obrazy
1997  Germans
2001  Requiem
2002  Like Father Like Son
2004  Long Weekend
2005  Solidarność, Solidarność...
2008  Stary człowiek i pies

Writer:
1977  Bewitching Eyes
1979  Clinch
1979  Unlimited Space
1980  The Calm
1981  Material Test
1981  On Snow
1984  Ivy
1985  Fog
1985  The House of Fools
1986  Sezon na bażanty
1990  Sceny nocne
1993  White Marriage
1995  "Demoniczne" kobiety Witkacego
1995  Legenda Tatr
1995  Żywe obrazy
1997  Germans
2001  Requiem
2002  Like Father Like Son
2004  Long Weekend
2005  Solidarność, Solidarność...
2008  Stary człowiek i pies

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.