Ed Perkins

Ed Perkins is a Grierson award winning documentary filmmaker living and working in London, trading as Stroma Films Limited.  In 2015, Ed was named as a BAFTA Breakthrough Brit.  Ed has directed, filmed and edited for National Geographic, BBC, Channel 4, The New Yorker, Stateless Media, Vanity Fair, The Guardian and Focus Features.  After graduating from the University of North Carolina as a Morehead-Cain scholar in 2009 - where his student documentary ‘For God's Sake’ won ‘Best in Show’ at the Carolina Film Festival and ‘The Eva Marie Saint-Jeffrey Hayden Humanitas Award’ - he then developed and directed a series of TV documentaries for National Geographic Channel as well as directing the behind-the-scenes documentaries for ‘Project Nim, ‘The Eagle’, the BAFTA winning ‘The Imposter’, and the Academy Award winning ‘Seaching for Sugar Man’.  Two of Ed's short films have won Vimeo "Short of the Week" and "Staff Pick" accolades, and 'If I Die on Mars' was featured on the frontpage of The Guardian website and has had more than 1,000,000 views over multiple platforms. In 2015 Ed finished directing his first feature documentary Garnet’s Gold, which premiered at the Tribeca Film Festival 2014, won a Grierson Award for Best Newcomer, won Best International Documentary awards at Docville and Jozi Film Festival, and was nominated for Best Documentary Feature at both Tribeca and the Edinburgh International Film Festival.

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Director:
2017  Bare Knuckle Fight Club

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.