A work in constant progress (and occasional regress).
Cinematography:
2008 He Who Made Monsters: The Life and Art of Jack Pierce
Director:
1998 Shaping the Sphere: The Art of the Visual Effects Supervisor
2001 Back in the Saddle
2004 Alpha to Omega: Exposing 'The Osterman Weekend'
2006 Shadows of Suspense
2007 Conclusive: We Made Hot Fuzz
2008 He Who Made Monsters: The Life and Art of Jack Pierce
Producer:
1998 Shaping the Sphere: The Art of the Visual Effects Supervisor
1999 The Matrix: What Is Bullet-Time?
2001 Back in the Saddle
2001 Making 'Superman': Filming the Legend
2001 Memories from the Sweet Sues
2001 Taking Flight: The Development of 'Superman'
2001 The Magic Behind the Cape
2001 Tony Curtis on 'Some Like It Hot'
2004 Alpha to Omega: Exposing 'The Osterman Weekend'
2006 Shadows of Suspense
2007 Conclusive: We Made Hot Fuzz
2008 He Who Made Monsters: The Life and Art of Jack Pierce
Production Director:
1998 Shaping the Sphere: The Art of the Visual Effects Supervisor
1999 The Matrix: What Is Bullet-Time?
2001 Back in the Saddle
2001 Making 'Superman': Filming the Legend
2001 Memories from the Sweet Sues
2001 Taking Flight: The Development of 'Superman'
2001 The Magic Behind the Cape
2001 Tony Curtis on 'Some Like It Hot'
2004 Alpha to Omega: Exposing 'The Osterman Weekend'
2006 Karloff: The Gentle Monster
2006 Lugosi: The Dark Prince
2006 Shadows of Suspense
2007 Conclusive: We Made Hot Fuzz
2008 He Who Made Monsters: The Life and Art of Jack Pierce
Writer:
1998 Shaping the Sphere: The Art of the Visual Effects Supervisor
1999 The Matrix: What Is Bullet-Time?
2001 Back in the Saddle
2001 Making 'Superman': Filming the Legend
2001 Memories from the Sweet Sues
2001 Taking Flight: The Development of 'Superman'
2001 The Magic Behind the Cape
2001 Tony Curtis on 'Some Like It Hot'
2004 Alpha to Omega: Exposing 'The Osterman Weekend'
2006 Karloff: The Gentle Monster
2006 Lugosi: The Dark Prince
2006 Shadows of Suspense
2007 Conclusive: We Made Hot Fuzz
2008 He Who Made Monsters: The Life and Art of Jack Pierce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.