Jerome Benton (b. 1962)

Born:
September 19, 1962

​From Wikipedia, the free encyclopedia  Jerome Benton (born September 19, 1962) is an American musical performer, backup dancer and comedic actor. He can be seen in music videos by Janet Jackson and Prince, but he is best known for his association with The Time.  Benton is the half brother of Time bassist Terry Lewis and worked closely with the band behind the scenes in its initial stages. During one performance, lead singer Morris Day asked for someone to bring him a mirror. Benton responded by ripping a mirror out of the club's restroom and bringing it on stage for Day to comb his hair. This act elevated Benton's integration into the band as a comic foil to Day, along with his dancing and providing backing vocals. In 1983, when Jimmy Jam and Terry Lewis missed a concert in San Antonio, Benton was tasked by Prince to pretend to fill in for Lewis on stage with his bass unplugged, while Prince provided the bass line backstage. Jam and Lewis were eventually fired after the tour.  Benton appeared in the 1984 film Purple Rain with the rest of The Time and assumed the role of Morris Day's bodyguard and valet. He also appeared in Prince's second film Under the Cherry Moon. The chemistry between Day and Benton was well-received. Although The Time soon dissolved after Day started pursuing a solo career, Prince retained Benton, as well as Jellybean Johnson and Paul Peterson for the short-lived project The Family.  Benton reunited with his other group, The Family, on December 13, 2003 for a single charity performance along with other acts formerly associated with Prince. According to a January 31, 2007 press release on St. Paul's website, The Family announced that the group is returning with a new record and a tour.  Description above from the Wikipedia article Jerome Benton, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.