A work in constant progress (and occasional regress).
Alias:
Friedel Klütsch
Birthplace:
Cologne, Germany
Born:
January 1, 1957
Author:
1985 Asyl
Book:
1985 Asyl
2017 Das Luther-Tribunal - Zehn Tage im April
Cinematography:
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
2017 Das Luther-Tribunal - Zehn Tage im April
Director:
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
2017 Das Luther-Tribunal - Zehn Tage im April
2022 Der Orient - Wiege des Christentums
Director of Photography:
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
1996 Eine Kerze für die Madonna
1996 Kreuz und quer
2017 Das Luther-Tribunal - Zehn Tage im April
2022 Der Orient - Wiege des Christentums
Editor:
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
1996 Eine Kerze für die Madonna
1996 Kreuz und quer
2017 Das Luther-Tribunal - Zehn Tage im April
2022 Der Orient - Wiege des Christentums
Lighting Technician:
1981 Familie Villano kehrt nicht zurück
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
1996 Eine Kerze für die Madonna
1996 Kreuz und quer
2017 Das Luther-Tribunal - Zehn Tage im April
2022 Der Orient - Wiege des Christentums
Sound:
1981 Familie Villano kehrt nicht zurück
1983 Vom Ende der Zeit
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
1996 Eine Kerze für die Madonna
1996 Kreuz und quer
2017 Das Luther-Tribunal - Zehn Tage im April
2022 Der Orient - Wiege des Christentums
Writer:
1981 Familie Villano kehrt nicht zurück
1983 Vom Ende der Zeit
1985 Asyl
1993 Nino Rota: Between Cinema and Concert
1996 Eine Kerze für die Madonna
1996 Kreuz und quer
2017 Das Luther-Tribunal - Zehn Tage im April
2022 Der Orient - Wiege des Christentums
2024 INRI - Warum musste Jesus sterben?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.