Otto Snel

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Alias:
Otto R. Snel

Additional information:

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Sound:
1957  Dark Africa
1962  As Ons Twee Eers Getroud Is!
1962  Die Tweede Slaapkamer
1983  Sexual Encounters of the Floral Kind

Sound Mixer:
1957  Dark Africa
1961  And the Sparks Fly
1962  As Ons Twee Eers Getroud Is!
1962  Die Tweede Slaapkamer
1968  Nobody Runs Forever
1983  Sexual Encounters of the Floral Kind
1987  Pack of Lies
1990  Hands of a Murderer
1990  Shipwrecked
1992  Carry On Columbus

Sound Re-Recording Mixer:
1957  Dark Africa
1961  And the Sparks Fly
1962  As Ons Twee Eers Getroud Is!
1962  Die Tweede Slaapkamer
1965  Rapture
1966  Fahrenheit 451
1967  The Desperate Ones
1968  Carry On Up the Khyber
1968  Nobody Runs Forever
1968  Prudence and the Pill
1969  Carry On Camping
1971  The Blood on Satan's Claw
1974  Carry On Dick
1980  Fame
1983  Secrets
1983  Sexual Encounters of the Floral Kind
1984  The Masks of Death
1987  Pack of Lies
1987  Pathfinder
1988  Hellbound: Hellraiser II
1988  The Man Who Lived at the Ritz
1990  Hands of a Murderer
1990  Shipwrecked
1990  The Big Man
1991  Rosencrantz & Guildenstern Are Dead
1992  Carry On Columbus
1995  A Month by the Lake
1995  Death Machine
1995  The Pillow Book
1998  Something to Believe In

Sound Recordist:
1957  Dark Africa
1961  And the Sparks Fly
1962  As Ons Twee Eers Getroud Is!
1962  Die Tweede Slaapkamer
1965  Rapture
1966  Fahrenheit 451
1967  The Desperate Ones
1968  Carry On Up the Khyber
1968  Nobody Runs Forever
1968  Prudence and the Pill
1969  Carry On Camping
1971  The Blood on Satan's Claw
1974  Carry On Dick
1978  Carry On Emmannuelle
1980  Fame
1983  Secrets
1983  Sexual Encounters of the Floral Kind
1984  The Masks of Death
1987  Pack of Lies
1987  Pathfinder
1988  Hellbound: Hellraiser II
1988  The Man Who Lived at the Ritz
1990  Hands of a Murderer
1990  Shipwrecked
1990  The Big Man
1991  Rosencrantz & Guildenstern Are Dead
1992  Carry On Columbus
1995  A Month by the Lake
1995  Death Machine
1995  The Pillow Book
1998  Something to Believe In

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.