A work in constant progress (and occasional regress).
Camera Operator:
1990 Eternity
Cinematography:
1990 Eternity
1992 Dark Secrets
Co-Producer:
1990 Eternity
1992 Dark Secrets
2023 Shimmy: The First Monkey King
Director of Photography:
1983 What's Up, Hideous Sun Demon
1985 Get Out of My Room
1990 Eternity
1992 Dark Secrets
1993 Skeeter
1997 Hourglass
1997 The Last Road
2018 Heaven & Hell
2023 Shimmy: The First Monkey King
Makeup Effects:
1983 What's Up, Hideous Sun Demon
1985 Get Out of My Room
1990 Eternity
1992 Dark Secrets
1993 Skeeter
1997 Hourglass
1997 The Last Road
2001 Harry Potter and the Philosopher's Stone
2018 Heaven & Hell
2023 Shimmy: The First Monkey King
Producer:
1983 What's Up, Hideous Sun Demon
1985 Get Out of My Room
1990 Eternity
1992 Dark Secrets
1993 Skeeter
1997 Hourglass
1997 The Last Road
2001 Harry Potter and the Philosopher's Stone
2018 Heaven & Hell
2023 Shimmy: The First Monkey King
Standby Property Master:
1983 What's Up, Hideous Sun Demon
1985 Get Out of My Room
1990 Eternity
1992 Dark Secrets
1993 Skeeter
1997 Hourglass
1997 The Last Road
2001 Harry Potter and the Philosopher's Stone
2018 Boar
2018 Heaven & Hell
2023 Shimmy: The First Monkey King
Stunts:
1983 What's Up, Hideous Sun Demon
1985 Get Out of My Room
1990 Eternity
1991 Sólo con tu pareja
1992 Dark Secrets
1993 Skeeter
1997 Hourglass
1997 The Last Road
2001 Harry Potter and the Philosopher's Stone
2018 Boar
2018 Heaven & Hell
2023 Shimmy: The First Monkey King
Visual Effects:
1983 What's Up, Hideous Sun Demon
1985 Get Out of My Room
1985 The Stuff
1990 Eternity
1991 Sólo con tu pareja
1992 Dark Secrets
1993 Skeeter
1997 Hourglass
1997 The Last Road
2001 Harry Potter and the Philosopher's Stone
2018 Boar
2018 Heaven & Hell
2023 Shimmy: The First Monkey King
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.