A work in constant progress (and occasional regress).
Samy Waitzberg works as an editor for film and television productions. He's a graduate from the American Film Institute, Los Angeles, USA.
Additional Editor:
2014 Paulo Coelho's Best Story
Assistant Editor:
2010 Waste Land
2012 Clandestine Childhood
2014 Elite Cup
2014 Paulo Coelho's Best Story
Director:
2010 Waste Land
2012 Clandestine Childhood
2014 Elite Cup
2014 Paulo Coelho's Best Story
2019 SURE BEILE – O SEGREDO DE SARITA
Editor:
2010 Losing My Cherry
2010 Waste Land
2012 Clandestine Childhood
2014 Elite Cup
2014 Paulo Coelho's Best Story
2015 Drift
2017 Eu, Meu Pai e Os Cariocas
2019 SURE BEILE – O SEGREDO DE SARITA
???? Mashed Potatoes
Editorial Services:
2005 Two Sons of Francisco
2010 Losing My Cherry
2010 Waste Land
2012 Clandestine Childhood
2014 Elite Cup
2014 Paulo Coelho's Best Story
2015 Drift
2017 Eu, Meu Pai e Os Cariocas
2019 SURE BEILE – O SEGREDO DE SARITA
???? Mashed Potatoes
Post Production Supervisor:
2005 Two Sons of Francisco
2010 Losing My Cherry
2010 Waste Land
2012 Clandestine Childhood
2014 Elite Cup
2014 Paulo Coelho's Best Story
2015 Drift
2017 Eu, Meu Pai e Os Cariocas
2019 SURE BEILE – O SEGREDO DE SARITA
???? Mashed Potatoes
VFX Supervisor:
2005 Two Sons of Francisco
2010 Losing My Cherry
2010 Waste Land
2012 Clandestine Childhood
2014 Elite Cup
2014 Paulo Coelho's Best Story
2015 Drift
2017 Eu, Meu Pai e Os Cariocas
2019 SURE BEILE – O SEGREDO DE SARITA
???? Mashed Potatoes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.