Shari Berman

Birthplace:
Manhattan, New York, US

Shari’s features include My Life As Abraham Lincoln, Sugar! and her most recent film Detention 101, which will soon be released online. She is gearing up to direct her next feature complete with her award-winning script – The Ghost in the Attic. This will be mostly shot in front of a green screen and only Shari knows what images will be placed in the background; you never know what you are going to get but I’m sure it will be worth the cost of the popcorn with extra fake butter and a ton of salt. If nothing else, watching the actors watch what she has done will be something to behold. She edits all her films and began editing as a small child by cutting puzzle pieces to make them fit as she thought best, creating some very strange pictures. Shari knew even then that she was on to something and has embarked on a life of making one weird picture after the next. She just won’t stop. Really, there isn’t anything you can do about it so you might as well join in the fun, check out her films and embrace the weird. Besides, they are bound to catch up with you someday and it’s best not to let them catch you off-guard. Shari grew up in Co-op City in the Bronx and is a member of Film Fatales, the FilmmakeHers and New York Women Filmmakers. She enjoys mentoring artistic people and striving to eat as much sushi and shrimp chips as humanly possible. I suspect she has mercury poisoning… her favorite character in Alice’s Adventures in Wonderland has always been the Mad Hatter.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.