A work in constant progress (and occasional regress).
Alias:
笠松則通
Birthplace:
Aichi Prefecture, Japan
Born:
January 1, 1957
Norimichi Kasamatsu (笠松則通 ) is a Japanese cinematographer born in 1957.
Camera Operator:
1988 Tokyo Pop
Cinematography:
1988 Tokyo Pop
2022 Yes, I Can't Swim
Director of Photography:
1980 Crazy Thunder Road
1981 Shuffle
1982 After That
1982 Burst City
1988 Tokyo Pop
1989 Dangerous Stories
1989 Knockout
1990 Swimming Upstream
1990 Tekken
1991 Stranger
1991 TVO
1992 Twinkle
1993 Korosiya Ami
1993 Tokyo Blood
1994 Alone in the Night
1994 Angel Dust
1994 Angel Guts: Red Flash
1995 August in the Water
1995 Boxer Joe
1996 Lonely Planet
1997 Labyrinth of Dreams
1998 Pornostar
2000 Another Battle
2000 Face
2001 Blue Spring
2001 Electric Dragon 80.000 V
2002 KT
2003 Farewell, Kuro
2003 My House
2005 Aegis
2005 The Milkwoman
2006 IRON
2007 Tokyo Tower: Mom and Me, and Sometimes Dad
2010 Villain
2010 Zatoichi: The Last
2013 The Human Trust
2013 Unforgiven
2015 Joe, Tomorrow
2016 Bitter Honey
2016 Rage
2018 Café Funiculi Funicula
2019 Wolf's Calling
2021 Under the Open Sky
2022 Winter Rose
2022 Yes, I Can't Swim
2023 Okiku and the World
Director of Photography:
2010 妖しき文豪怪談
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.