Barbara Hale (1922-2017)

Birthplace:
DeKalb, Illinois, USA

Born:
April 18, 1922

Died:
January 26, 2017

Barbara Hale is an American actress best known for her role as legal secretary Della Street on more than 250 episodes of the long-running Perry Mason television series and later reprising the role in 30 made-for-TV movies.  Hale was born in DeKalb, Illinois, to Luther Ezra Hale, a landscape gardener, and his wife, Wilma Colvin. She is of Scots-Irish ancestry. Hale graduated from high school in Rockford, Illinois, then attended the Chicago Academy of Fine Arts, planning to become an artist. Her performing career began in Chicago when she started modeling to pay for her education. She moved to Hollywood in 1943, and made her first screen appearances playing small parts (often uncredited).  Hale was under contract to RKO Radio Pictures through the late 1940s. She appeared in Higher and Higher (1943) with Frank Sinatra; played leading lady to Robert Mitchum in West of the Pecos (1945); enjoyed top billing in both Lady Luck (1946) opposite Robert Young and The Window (1949) with Arthur Kennedy; and co-starred in Jolson Sings Again (1949), with Larry Parks playing Al Jolson and Hale as Jolson's wife, Ellen Clark. She played the top-billed title role in Lorna Doone (1951) and portrayed Julia Hancock in The Far Horizons (1955) with Fred MacMurray and Charlton Heston.  Her flourishing movie career more or less ended when Hale accepted her best known role, Della Street, secretary to attorney Perry Mason, in the TV series with Raymond Burr. The show ran from 1957 to 1966, and she reprised the role in several television movies. Her last performance to date was in 2000 at age 78. In 1967 she guest starred on the ABC series Custer. Hale also had a featured role in the 1970 ensemble film Airport, playing the wife of a jetliner pilot (Dean Martin).

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.