Claire Mathon (b. 1975)

Born:
January 1, 1975

Claire Mathon (born 1975) is a French cinematographer.  She studied film at the École nationale supérieure Louis-Lumière and graduated in 1998. Since then, she has worked on several short films, documentaries and feature films. She was nominated for the César Award for Best Cinematography for the film Stranger by the Lake.  In 2019, Mathon won the Los Angeles Film Critics Association Award for Best Cinematography for her work on the films Atlantics and Portrait of a Lady on Fire.  Mathon also won the Lumières Award for Best Cinematography and the César Award for Best Cinematography for Portrait of a Lady on Fire.  Source: Article "Claire Mathon" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Cinematography:
2008  Taxi Wala
2017  Makhdoumin
2024  Not a Word

Director of Photography:
2006  Pardonnez-moi
2008  Les hommes sans gravité
2008  Taxi Wala
2009  French Courvoisier
2009  Plein sud
2009  Twenty Show: The Film
2010  Chicks
2010  L'imprésario
2010  We Were Communists
2011  Iris in Bloom
2011  The Injection
2012  Three Worlds
2013  Stranger by the Lake
2014  The Last Hammer Blow
2015  My King
2015  The Sweet Escape
2015  Two Friends
2016  Staying Vertical
2017  A Violent Life
2017  Also Known as Jihadi
2017  Makhdoumin
2017  Médée
2019  A Dramatic Film
2019  Atlantics
2019  Portrait of a Lady on Fire
2019  Raoul Taburin
2021  Dustin
2021  Petite maman
2021  Spencer
2022  A Flower in the Mouth
2022  Saint Omer
2022  Undercover
2024  Misericordia
2024  Not a Word
2024  Saint-Ex
????  Sauver les morts

First Assistant Camera:
1999  In and Out
2006  Pardonnez-moi
2008  Les hommes sans gravité
2008  Taxi Wala
2009  French Courvoisier
2009  Plein sud
2009  Twenty Show: The Film
2010  Chicks
2010  L'imprésario
2010  We Were Communists
2011  Iris in Bloom
2011  The Injection
2012  Three Worlds
2013  Stranger by the Lake
2014  The Last Hammer Blow
2015  My King
2015  The Sweet Escape
2015  Two Friends
2016  Staying Vertical
2017  A Violent Life
2017  Also Known as Jihadi
2017  Makhdoumin
2017  Médée
2019  A Dramatic Film
2019  Atlantics
2019  Portrait of a Lady on Fire
2019  Raoul Taburin
2021  Dustin
2021  Petite maman
2021  Spencer
2022  A Flower in the Mouth
2022  Saint Omer
2022  Undercover
2024  Misericordia
2024  Not a Word
2024  Saint-Ex
????  Sauver les morts

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.