A work in constant progress (and occasional regress).
Birthplace:
Saadan (East Prussia, now Poland)
Born:
September 26, 1887
Died:
January 26, 1960
Paul Holzki (28 September 1887 in Saadan, Ortelsburg district - 26 January 1960) was a German cinematographer. He worked with Leni Riefenstahl on the 1938 documentary Olympia.
Camera Operator:
1920 Maulwürfe
1922 Die Tochter Napoleons
1930 Vienna, City of Song
Cinematography:
1920 Maulwürfe
1922 Die Tochter Napoleons
1930 Sample Without Value
1930 Vienna, City of Song
Director of Photography:
1919 Augen
1919 Die Ehe der Frau Mary
1920 Die Jagd nach dem Tode - 1. Teil
1920 Die Jagd nach dem Tode - 2. Teil: Die verbotene Stadt
1920 Maulwürfe
1921 Die Jagd nach dem Tode - 3. Teil: Der Mann im Dunkel
1921 Die Jagd nach dem Tode - 4. Teil: Die Goldmine von Sar-Khin
1922 Die Geliebte des Königs
1922 Die Tochter Napoleons
1922 Erniedrigte und Beleidigte
1922 Yvette, die Modeprinzessin
1923 Das Mädel aus der Hölle
1927 Frühere Verhältnisse
1927 The Eleven Devils
1929 Melody of the World
1929 Und Nelson spielt
1930 Sample Without Value
1930 Vienna, City of Song
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
Sound:
1919 Augen
1919 Die Ehe der Frau Mary
1920 Die Jagd nach dem Tode - 1. Teil
1920 Die Jagd nach dem Tode - 2. Teil: Die verbotene Stadt
1920 Maulwürfe
1921 Die Jagd nach dem Tode - 3. Teil: Der Mann im Dunkel
1921 Die Jagd nach dem Tode - 4. Teil: Die Goldmine von Sar-Khin
1922 Die Geliebte des Königs
1922 Die Tochter Napoleons
1922 Erniedrigte und Beleidigte
1922 Yvette, die Modeprinzessin
1923 Das Mädel aus der Hölle
1927 Frühere Verhältnisse
1927 The Eleven Devils
1929 Melody of the World
1929 Und Nelson spielt
1930 For Her Sake
1930 Sample Without Value
1930 Vienna, City of Song
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.