A work in constant progress (and occasional regress).
Alias:
Kazuto Kuramoto
倉本和人
倉本和比人
Assistant Director:
1983 Private lesson: Meiki kyôiku
Camera Operator:
1982 Niizuma zankoku ni okasu
1983 Private lesson: Meiki kyôiku
Cinematography:
1982 Niizuma zankoku ni okasu
1983 Private lesson: Meiki kyôiku
2004 Concrete
Director:
1982 Niizuma zankoku ni okasu
1983 Private lesson: Meiki kyôiku
1988 Guinea Pig Part 5: Android of Notre Dame
2004 Concrete
2019 Masui
Director of Photography:
1980 Maruhi kyôsei-zai: Bed ga nureru
1980 Maruhi tôchôki: Shaburi-naki
1981 Semi document: Hentai kyôjidai
1981 Semi-dokyumento: Tokkun Meiki Dukuri
1981 Yojôhan repôto: Ijiru
1982 Denwa bôkô-ma: Okasareta 17-nin no wakamono
1982 Document porno: Yatai baishun
1982 Ginza neon-gai: Onna no zetchô
1982 Niizuma zankoku ni okasu
1982 OL shikijô nikki: Ushiro kara semete
1982 Sex document: Kigu hanbai-jin
1982 Za reipu: Niku-kei
1983 Dokyumento: SEX joshi daigaku
1983 Mibôjin geshuku: anata mo kashimasu hatsu ijiri
1983 Private lesson: Meiki kyôiku
1983 Semi-document Bôkô-ma kegasu
1984 Female Prisoners: Brutal Treatment
1984 Monzetsu Biyōshi: Iro Geshō
1984 Sekkusumeido: Osouji no Atode
1984 Sexy Oral: Uwakina Kuchibiru
1984 Sexy Timetrip Ninjas
1985 Bijo SM Technique
1985 Bijo: Ryôshoku Kôkishin
1985 Chikan Densha Ano te Kono te
1985 Kuroi Shitagi no Onna
1985 Kyodai bust 99: D-cup no onna
1985 Midarana nikutai: Seikan jigoku
1985 Sex Document: Nakase Jôzu
1985 The Sekkan 2: kairaku-hen
1986 Double Cat
1986 Gen'eki Joshidaisei: Kahanshin Focus
1986 Sexy Battle Girls
1986 Wakazuma nikki: Zecchôdo
1986 Za Ikenie 2
1986 Za zetchō-kan
1988 Guinea Pig Part 5: Android of Notre Dame
2004 Concrete
2004 Molester Romance
2005 Perhaps He Is
2011 Giant Woman vs. Big Octopus
2019 Masui
Writer:
1980 Maruhi kyôsei-zai: Bed ga nureru
1980 Maruhi tôchôki: Shaburi-naki
1981 Semi document: Hentai kyôjidai
1981 Semi-dokyumento: Tokkun Meiki Dukuri
1981 Yojôhan repôto: Ijiru
1982 Denwa bôkô-ma: Okasareta 17-nin no wakamono
1982 Document porno: Yatai baishun
1982 Ginza neon-gai: Onna no zetchô
1982 Niizuma zankoku ni okasu
1982 OL shikijô nikki: Ushiro kara semete
1982 Sex document: Kigu hanbai-jin
1982 Za reipu: Niku-kei
1983 Dokyumento: SEX joshi daigaku
1983 Mibôjin geshuku: anata mo kashimasu hatsu ijiri
1983 Private lesson: Meiki kyôiku
1983 Semi-document Bôkô-ma kegasu
1984 Female Prisoners: Brutal Treatment
1984 Monzetsu Biyōshi: Iro Geshō
1984 Sekkusumeido: Osouji no Atode
1984 Sexy Oral: Uwakina Kuchibiru
1984 Sexy Timetrip Ninjas
1985 Bijo SM Technique
1985 Bijo: Ryôshoku Kôkishin
1985 Chikan Densha Ano te Kono te
1985 Kuroi Shitagi no Onna
1985 Kyodai bust 99: D-cup no onna
1985 Midarana nikutai: Seikan jigoku
1985 Sex Document: Nakase Jôzu
1985 The Sekkan 2: kairaku-hen
1986 Double Cat
1986 Gen'eki Joshidaisei: Kahanshin Focus
1986 Sexy Battle Girls
1986 Wakazuma nikki: Zecchôdo
1986 Za Ikenie 2
1986 Za zetchō-kan
1988 Guinea Pig Part 5: Android of Notre Dame
2004 Concrete
2004 Molester Romance
2005 Perhaps He Is
2011 Giant Woman vs. Big Octopus
2019 Masui
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.