Gino Mordini

Gallery Unavailable

Alias:
Luigi Mordini

Additional information:

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Producer:
1958  Carmela is a doll
1958  Corporal of the day
1960  The Minotaur, the Wild Beast of Crete
1961  Mariti a congresso
1962  I tre nemici
1963  Sexy proibito
1967  Sailors on Deck
1967  The Handsome, The Ugly, And The Stupid
1968  Brutti di notte
1968  Don Chisciotte e Sancio Panza
1969  The Island of the Swedes
1970  Disperatamente l'estate scorsa
1971  Mazzabubù... quante corna stanno quaggiù?
1971  The Double
1972  Crime Boss
1972  Sexy Sinners
1972  Zambo, King Of The Jungle
1973  The Assassination of Matteotti
1974  The Castro's Abbess
1974  The Sinful Nuns of Saint Valentine

Production Manager:
1954  The Seducer
1955  A Hero of Our Times
1957  Rascel-Fifì
1958  Carmela is a doll
1958  Corporal of the day
1959  The Maids
1960  The Minotaur, the Wild Beast of Crete
1961  Mariti a congresso
1962  I tre nemici
1963  Sexy proibito
1967  Sailors on Deck
1967  The Handsome, The Ugly, And The Stupid
1968  Brutti di notte
1968  Don Chisciotte e Sancio Panza
1969  The Island of the Swedes
1970  Disperatamente l'estate scorsa
1971  Mazzabubù... quante corna stanno quaggiù?
1971  The Double
1972  Crime Boss
1972  Sexy Sinners
1972  Zambo, King Of The Jungle
1973  The Assassination of Matteotti
1974  The Castro's Abbess
1974  The Sinful Nuns of Saint Valentine

Story:
1954  The Seducer
1955  A Hero of Our Times
1957  Rascel-Fifì
1958  Carmela is a doll
1958  Corporal of the day
1959  The Maids
1960  The Minotaur, the Wild Beast of Crete
1961  Mariti a congresso
1962  I tre nemici
1963  Sexy proibito
1967  Sailors on Deck
1967  The Handsome, The Ugly, And The Stupid
1968  Brutti di notte
1968  Don Chisciotte e Sancio Panza
1969  The Island of the Swedes
1970  Disperatamente l'estate scorsa
1971  Mazzabubù... quante corna stanno quaggiù?
1971  The Double
1972  Crime Boss
1972  Sexy Sinners
1972  Zambo, King Of The Jungle
1973  The Assassination of Matteotti
1974  The Castro's Abbess
1974  The Sinful Nuns of Saint Valentine

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.